FxF Chrystal's Crazy Cravings

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FxF Chrystal's Crazy Cravings

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Rules Check
  1. Confirmed
Pairings
  1. FxF
  2. FxFxF
  3. Doubling
Content Warning
  1. Kink
  2. Graphic Violence
  3. Sexual Assault
  4. Incest
  5. Self Harm
  6. Substance Abuse
  7. Narrative Bigotry
  8. Sensitive Topics
Preferred Genres
  1. Romance
  2. Erotic
  3. Fetish
  4. Deviant
  5. High Fantasy
  6. Low Fantasy
  7. Sci-fi
  8. Slice of Life
  9. Dystopian
  10. Historical
  11. Medieval
  12. Horror
  13. X-Punk (cyber, steam, aether, etc)
  14. Space
  15. Political
  16. Crime
  17. Supernatural
  18. Modern
  19. Other
Local time
Today 5:55 PM
Messages
16
Age
61
Pronouns
She Her
Hi and thank you for showing interest.

  • I'm getting on a bit, and have been role-playing for well over 40 years, on-and-off. I'm female, lesbian, married, with a full-time 9-5 M-F job.

    I live in the UK, and I'm 100% Anglo-Saxon, but married to an American of Welsh/German descent.

    I also have a fish tank, a cat, a car and a home.
  • I only write female characters and I only play opposite female characters. If you want to play a trans female, that is okay, but please tell me in advance, as we will need to discuss it!

    I tend to write about 300 to 500 words per post, but have been known to write as little as 200 or as many as 2000.

    My reply rate is usually once or twice a fortnight. I tend to post mostly on Weekends, and I like to have about 10-15 RPs on the go at any one time, because that gives me something to post to while waiting for other people. Weekday evenings can often be non-posting times, because I spend all day sitting at a computer...!

    I don't ghost. If I'm not happy with something, I will tell you. That said, it may take some time for me to work out what... If you haven't heard from me, it could be that I'm trying to figure out where to go with our story. Give me a nudge.

    Just don't nudge me too often.

    And I would appreciate the same courtesy.

    I usually try and reply to the oldest first, but that doesn't always work.
  • I'm a 50/50 switch, and I will play Domme, Sub, Butch, Femme, Top, Bottom, and vanilla.

    I'm heavily into BDSM, and I think my Kinks reflect this!

    Hard Offs

    • Male or Futa characters.
    • Scat
    • Menstruation
    • Non-sexual torture
    • Filth and vomit
    • Feet (unless just washed)
    • Mutilation/Cutting Bits Off
    • Vampires/Werewolves/Zombies/Other undead creatures.
    • Pregnancy

    Hard Kinks
    Please note that these are all optional - unless specifically called for in the RP. If you want to include one or more, please say so.

    • Romance
    • Forbidden romance
    • Bondage
    • Blindfolds
    • Mummification
    • Water sports
    • Breast/nipple torture
    • Predicament Bondage
    • Orgasm control/denial
    • Control of bodily functions
    • Breath play
    • Pet/pony play
    • spanking
    • aftercare
    • Size Differences
    • Age differenced (over 18, obviously)
    • Furries/Anthros

    The above lists may get added to if I remember any others.

    Have a kink I've not listed? Ask me. Chances are, I might be into it!
  • Genres

    These are the genres I'm NOT into:
    • Undead characters, including but not limited to: Zombies, Vampires and Werewolves
    • Star Trek
    • Japanese Fandoms

    Pretty much any other genre, I'm up for.

    Pairings
    So here's the thing about "pairings": I don't do them. If you have an idea for a story that centres around a particular couple of character types, pitch me the story. Please don't try and sell me on Character A and Character B.

    I love story-based RP, and of course there have to be characters, but the story and setting determine who and what the characters are, not the other way around.

    That said, I do love a mismatched couple, be it age, size, weight, social class, upbringing, or whatever.

    Fandoms

    Basically, I don't do them. There are a few I can be persuaded to try, but they will be OCs only, unless you happen to pick my OTP.


This is very much a work in progress and subject to change without notice
 
Genius!
Genres: Romance, College/University, possible bullying, possible BDSM. Mismatched couple. Slow burn

Setting: Present Day, a university that is on a par with the Ivy League, MIT, Oxford UK and Cambridge UK. Can be anywhere in the world, can be fictional. Doesn't even have to be named.

Characters:
My character is an 18-year-old prodigy, with an IQ of 199.8 on the scale that goes from 1 to 200. On other scales, she has mapped out at 300 and 500. She already has two bachelor degrees in Pure Maths and Pure Physics, has just finished her Master's in Applied Physics and is waiting for the results, while already working on her Doctorate in Applied Astrophysics. So yeah, basically she's a
Rocket Scientist, in every meaning of the term. She is a total geek's geek and is at Uni on a full scholarship from NASA.

However, her interpersonal skills are zero. She is actually mildly autistic (something that often goes with high IQ) and has difficulty understanding people, or even recognising people, as faces often look the same to her. She has absolutely no idea what sex even is, but is not asexual, nor even aromantic. Demisexual is probably closest.

Your Character can basically be whoever you want, as long as she's reasonably pretty, and has a reason to be a freshman at a top-flight university. She is definitely lesbian, but may only now be coming out. Some suggestions:
• A jockette, there on a sports scholarship
• A Queen Bee, beautiful and popular
• A bully, looking for someone to do her assignments
• A "Princess" - cruising through on Daddy's (or Mummy's) money
• A foreign student, from an overseas royal family, (a literal Princess) incognito.
• A "Poor little rich girl", daddy has money, but she wants nothing to do with it.

Or anything else you think will work...

Story:
My character somehow gets paired up with yours. I would rather they weren't roommates, but maybe m/c has to do a non-academic subject like some sort of art class, or take a sport, to fulfil the university's requirements for her scholarship, so while she is working with post-grad students and research students in her actual subjects, in the one class/activity she has to join in with the other freshmen.

So the two have to work together, and get to know each other and romance blossoms (as unlikely as that may be). All the while, m/c is working on some secret project that has to do with her doctorate, but she refuses to discuss it with anyone except the head of the physics faculty.
 
The Monkey Trap
Genres: Slice Of Life, Forbidden Romance

Setting: Present Day, Anywhere.

Characters:
  • Character A is a married woman. She can be any age from 25 to 41. She's been married for at least 7 years, to a man she doesn't really love. He's a good enough husband, possibly a good father as well (optional), but she married him because she felt she had to.
  • Character B is an out lesbian. She could be someone that A has just met, or she could be an old school friend, and they haven't seen each other for ages. If the latter, we can work out the backstory before we start. But A has just realised she is in love with B.
Story:
Whether it is true or not is up for debate and the origins of the story vary widely, but it is said that an easy way to catch a monkey without harming it is to fasten a small pot, or a hollowed out coconut shell, to a tree. You make a small hole in the pot or shell, and in it, you place some food, usually grain or nut kernels.

According to the story, the monkey will smell the food and see it inside the shell, and will put its hand (or paw if you prefer) in to take hold of the food. But with its hand now closed into a fist inside the shell, it is now too big to fit through the hole. And so, (the story goes), the monkey is trapped. Not by anything physical, if it were to let go of the bait, it could pull its hand out and escape. The monkey is trapped by an idea, by the fact that it has got hold of some food, and it wants to keep hold of the food and eat it.

This idea can be applied to other, less physical examples. Like the idea that one must remain in a loveless marriage, "Because it's the right thing to do." "Because I made a vow...!" "For the sake of the children." What is so right about it, if it is making one or possibly two people miserable? What is a vow worth if it is based on a lie in the first place? And are children really better off living with two parents who don't love each other, that they would be getting to spend time with both parents and seeing them both happy?

Character A is caught in just such a monkey trap, holding on to her loveless marriage even though it is sucking out her soul. It is up to Character B to persuade her to let go and be free, before it is too late.

Notes:
Side characters will include A's husband, obviously. There can also be children, but they will not be involved in any sexual or violent scenes. They might witness the parents arguing, but that will not be specifically written.

Other side characters could be family and friends of both A and B.

I will play either character
 
To The Manor Born
Genres: Historical, Age Gap, Mother-in-law x Daughter-in-law, dub con, seduction, slow burn

Setting: England, in the 1850s or 1860s, a large country estate

Characters:
  • My Character is a Duchess, the lady of the manor. In her mid to late 40s, she is recently widowed. There are rumours that her late husband the Duke killed himself to avoid a scandal, but no-one ever mentions such to the widow, who is now Dowager Duchess.
  • Your character is the young wife of my character's son. He is now the Duke, so she is obviously now the Duchess. But the Young Duke has accepted a commission in the Army and is being sent off to fight in one of the many wars that sprang up like bush fires across the British Empire.
Story:
Y/C has to take over as The Duchess and Lady Of The Manor. Who better to teach her than my character? And of course the dowager will keep firm control over the estate that she has managed since marrying the Old Duke. As for the rumours, well m/c is fully aware of whether they're true, as indeed she is aware of the reason for her son's sudden departure only days after his
wedding.

She is never going to reveal the truth, though. Besides, she has her own private secrets to keep that could be just as much of a scandal. Fortunately, her maid servants are all totally loyal - those that are not part of said secret, that is. But the addition of a pretty young woman to the household in the shape of her daughter-in-law could well prove too much temptation.
 
Seduction on the Orient Express
Genres: Historical, Age Gap, Seduction, Loss of innocence

Setting: The mid to late 1920, Europe, specifically the Orient Express, heading from Paris to Vienna via Strasbourg and Munich. (Note - this is the original route and still runs as a scheduled overnight train from Strasbourg to Vienna)

Characters:
  • Character A is a young, innocent woman of 18, probably the daughter of nouveau riche parents. She is on her way to an exclusive finishing school in Vienna, where she will earn how to be "A Lady".
  • Character B is a Woman of the World, in her late 20s or early 30s. She is well travelled, speaks many languages, and is on her way to Vienna to take up a teaching post
  • Purely by the most random coincidence, both characters will have the same surname
Plot:
There has been a terrible mix-up. Remember that this is before computers and printers. Reservations were made by hand in a ledger, and tickets written out by hand and posted. So it wasn't really anyone's fault that character A and character B ended up both booked into the same compartment in one of the luxury sleeper cars for the overnight trip across Europe. Of course, by the time they realise this, it's too late to do anything about it.

The train is fully booked, and there are no empty berths available, and anyway the train is pulling out of the Gare De L'Est and doesn't stop again until it reaches Strasbourg.

Well, the two women agree that their only option is to share the compartment, and the conductor agrees to refund both their fares. The older woman then treats the younger to dinner in the restaurant car, and takes her back to their compartment...

Notes:
I will play either character. This is NOT the Venice Simplon Orient Express made infamous by Agatha Christie's novel. It is the more northerly original route through Southern Germany.
 
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