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Hi! I am SixPix. I have been roleplaying for many years, I've kind of lost count of the exact number. Before you get too invested in me as a partner, I'll go ahead and tell you that I am prone to periods of absence due to my mental health. So if you tend to be impatient - don't worry, me too. But I will likely not be a good partner for you. On the other hand, if you are either okay with this or you just hate yourself (again, me too) then feel free to read on!
I will list plots I've currently got going in my brain but I'm always game to listen!
* ੈ✩‧₊˚* ੈ✩‧₊˚* ੈ✩‧₊˚
Hi! I am SixPix. I have been roleplaying for many years, I've kind of lost count of the exact number. Before you get too invested in me as a partner, I'll go ahead and tell you that I am prone to periods of absence due to my mental health. So if you tend to be impatient - don't worry, me too. But I will likely not be a good partner for you. On the other hand, if you are either okay with this or you just hate yourself (again, me too) then feel free to read on!
I will list plots I've currently got going in my brain but I'm always game to listen!
I don't really have many specific rules, but I don't do purely smut-based plots. Smut is fine and good, but as a general rule, I like there to be more plot than smut. Other than that, I am open to most pairings and plots. In fact, I like to do what I call scratching itches. Meaning, you have the itch to do a particular plot, but you think it's kind of weird or you need to flesh it out, I will scratch your itch as I find that these plots often offer really unique experiences.
Plz Daddy Do
*OOC chat, if you'd like to. If it's not your thing, totally cool, but I love talking and I've been told I'm a pretty good listener :)
*I appreciate notices if you're expecting to be gone, but if you forget or the disappearance is unexpected it's no biggie.
*I typically use post reactions as tiny little nudges if there hasn't been a reply for a bit. Feel free to do the same!
*COMMUNICATION: If you have an idea or you're uncomfortable with something or if you'd like to add something, please feel free to tell me! I'm a pretty easy person to talk to and I want to make the experience as enjoyable as it can be for the both of us :)
Father No.
*I don't do rape scenes between two characters who are going to end up together
*No bathroom play or vore, but I'm open to most other kinks
*No smut-based roleplays. Smut is fun, but I like the story to consist of at least 50 percent of the roleplay, if not more.
*I don't do rape scenes between two characters who are going to end up together
*No bathroom play or vore, but I'm open to most other kinks
*No smut-based roleplays. Smut is fun, but I like the story to consist of at least 50 percent of the roleplay, if not more.















Below are some plots I've thought out. Sometimes I might add or remove some just to get a nice mix going!
Voyager
Note: This plot is loosely inspired by Outlander by Diana Gabaldon, but familiarity with it is not required.
YC is a woman living in her prime in the 20th century. She has a job, friends, and a boyfriend, and she’s traveling to Norway. Perhaps as part of a vacation, or because she or her partner is a historian. While there, she hears tales of a witch coven rumored to convene around a circle of standing stones. Curious, she decides to see it for herself. At first, she observes from a distance, captivated by the primal, almost otherworldly atmosphere.
The next morning, she ventures to the stones alone. She touches one and faints. When she awakens, she is no longer in modern Norway. The public transport, the police, the peace… all gone. Instead, she finds herself among a group of strange, fierce-looking men: clad in thick furs, hair braided or long, speaking a language she does not understand, and radiating raw power, violence, and lust.
At first she thought she had been found by drug addicts. Though reluctant as she is to admit it, the men who captured her are not hallucinating: they are Vikings. YC realizes she has been plunged into 9th-century Norway. They bring her to their chieftain, expecting her to be sold as a slave. But the chieftain, Ivar, shocks everyone by granting her a place in his longhouse indefinitely. It is not a hotel, but it is safe… for now. Ivar’s motives, however, may not be entirely selfless.
The next day, a party of raiders returns home, led by none other than Leif, Ivar’s only son. Heir to the chieftainship, Leif is a warrior in his prime, veins pumping with adrenaline and desire. But unlike his father, Leif cares little for politics or duty. Instead, he craves blood, plunder, glory, and freedom. Ivar has tried everything to restrain his wild son. Now, he has one final plan - and it involves YC.
A marriage.
As the chieftain, Ivar’s word is law. Leif can shout, brood, and throw whatever he wants—but in the end, he must obey. One day she was on a quiet vacation; the next, YC finds herself betrothed to a man she didn’t even know.
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