MxF Back From The Dead (Updated 08.30.26)

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MxF Back From The Dead (Updated 08.30.26)

Rules Check
  1. Confirmed
Pairings
  1. MxF
Genre Preferences
  1. Romance
  2. High Fantasy
  3. Low Fantasy
  4. Sci-fi
  5. Crime
  6. Supernatural
  7. Modern
Character Preferences
Original Characters Only
Open to Solicitation For
Listed Ideas and Similar Ideas
Open to Group Stories
Yes
Local time
Today 9:25 AM
Messages
6
Age
24
Pronouns
she/her
Hi hi! After disappearing for the past few months, I’m back with some new plots and itching for a good story. I haven’t been feeling the greatest lately and am trying to get back to doing some of the things that I love; writing is one of those. Anyways, I have some plots below; if you’re interested, feel free to send me a message. Looking forward to hearing from you :)

Full-Fledged Plots:
1) The Translator
2) In Her Eyes
3) Death March
4) No Good Deed NEW!
5) The Hunt NEW!


Role play expectations:
  1. I'll make this clear first that when it comes to my role plays, I am open to a lot. I have very little that truly makes me uncomfortable or that I won't do (see my limits list below). So if you like a plot but want it to get dark, as long as you talk with me about it first, then I'm all for it. Want a story that has a lot of fade-to-black? Tell me, and I'm willing to accommodate you so that we are both comfortable in the roleplay. This is a collaboration, and if you have ideas for the role, feel free to suggest them. I am open to it all, and unless it's something I'm not comfortable with, then we can most likely incorporate it. That goes as well for the pairing, see a role you want but don't want an MxF pairing, I am open to trying an FxF pairing or any other type of pairing. The worst thing that can happen when suggesting things is I say no or tweak it to my comfort.
  2. GHOSTING FRIENDLY! I decided to make this clear because no matter how hard we try,y it happens from time to time. So if it happens, don't feel bad because I might do it as well from time to time. If we're just in the talking stages and you don't respond,d I won't pester you and will let it go. But if we're in the thick of a role play, then I will send a message to check in on you!
  3. I prefer if my partners are at least 20+ in age.
  4. When I'm writing, I usually go by a "get what you give " method. I try to match my partner in my replies, and I would hopefully expect the same from you. Nothing is as disappointing as putting in effort for a multi-paragraph, hundreds-of-words-long reply and getting something that isn't the same in return. So, that's all I ask; just try to match the best you can!
  5. One-liner replies are NOT allowed! Been there, done that, and the story goes nowhere at that point if all we are doing is the bare minimum. We're writing a story,y not having a text conversation, so if I see one-liners, rs I'm out.
  6. I NEED STORY. This is like a big thing for me. I'm good at doing a lot of spicy stuff like that, but I do need palate cleansers in between where there is actually a story going on. Just constant sex and stuff like that makes me lose interest. I like a bit of erotic writing in my role-plays, but there needs to be a balance. Typically I try to go for a 50/50 split between story and smut, but that can change depending on the story and the intention of the story. Some of my roles are centred around sex, while others are centred around the plot and the dynamic between the characters.
  7. COMMUNICATION! Please talk to me if something in the story is bothering you, or if you need to disappear for a few days suddenly. Even if it's after you're gone, just as long as you tell me what happened, I won't be mad or upset. I try to do this with my partners the best I can just to keep them in the loop and so that they're not in the dark about why I haven't replied in a day or two; all I ask is that you do the same. I'm totally for OOC chatter as well, though I am not the greatest at it.
  8. Face claims: I prefer to use realistic face claims of people. I try to steer away from using celebrities and stuff like that, but I won't get on your case for using one, cause there's a time or two when I might do the same. I'd prefer not to have anything drawn, but if you can't find a character or don't like using realistic face claims, then I'm fine with art. Just have it be realistic art if possible.
  9. Threads only, as per site rules. Not my usual thing,g but I will get used to it.
  10. Lastly: I am looking for someone who is into doing high-action, high-stakes, lore-heavy,avy and character-driven stories. I lean toward fantasy realms or play in settings not set in the modern age. I'm looking for someone who is fun and likes to bring bold and exciting ideas to our characters and their journeys.
Kinks: My kinks can vary from a story. Something I like in one story I hate in another. So it's more a thing where I'm not going to put everything I'm ok with ( that list is way too long), but include things that in pretty much any story I like to see incorporated in some kind. But unless it's stated in my limits, I am open to a vast majority of things.
Common Kinks:
  • age gaps (you older, me younger )
  • being restrained (nothing too intense, some hands above the head or him pinning her down, or tying her hands behind her back. This one can get really kinky though and I don't mind that as well)
  • touching/fondling without spoken permission/ being handsy in general
  • clothes ripping
  • forced proximity
  • stockings
  • biting
  • oral (giving, receiving)
  • teasing (in the sense of him liking to get her hot and bothered and leave her on the cusp)

My limits are very specific, but do keep in mind that some of them might ease up a little depending on the story and the dynamic of the characters. So again, if any of these are your thing, feel free to ask. Some of these are soft limits, but most are hard limits.

Soft limits: Hitting in a non-sexual sense: I do think that in the right story, something like this is a bit nice to add, but most of my stories don't have it.
  • Choking: I go back and forth with this one, and it really depends on the story.
  • Hair pulling, same as above; it's a thing where I think the context of the story and their dynamic are sort of needed for me to be ok with it.
  • MC giving oral is a chosen thing rather than an asked/forced thing (though I am fine with coercion, weirdly enough,h depending on the story). It's a bit strange, I know, but this is just one thing that just gets me every time. I don't mind doing oral scenes, but it has to be her choice that she wants to do it. But again, the dynamic could change my stance.
Hard Limits:
  • No toilet play, vomit, or gore during sexual acts.
  • No holding of the back of a character's neck (specifically in a sexual sense),
  • sexual embarrassment (using sex and certain fluids to embarrass a character. I.e. cum on face and them going out in public),
  • no mouth to ass stuff (licking, anal to oral. I won't do it to your character, so please don't do it to mine),
  • hard dom/sub and master/ slave dynamic (I like a dominant man, but don't want my character to be constantly treated like they're a sexual object when the dynamic of my stories lead to more equal sexual dynamic),
  • clothing or objects in private areas (excluding actual toys of course)
  • Fisting.

Now for what you really came for, the plots:


Marriage was the last thing Mc has ever wanted. Much of her youth was spent trying to scheme her way out of it. But she knew that it was as inevitable as death. She distracted herself as much as she could while being a lady-in-waiting to the princess. Slipping away every chance she could to the palace library, she would glean as much knowledge as she could from every book. One of the scholars took notice of her, quietly taking her under his wing and teaching her all he knew. MC picked up a certain interest in language, becoming quite fluent in various different tongues.
When the princess came of age, so did the suitors with their gifts and offers. Many kings and princes came flooding through the halls, but none seemed to catch the princess's eye. With most prospects being rejected, the king sent invitations to various foreign kings. One found its way to YC, the king of an island kingdom. A foreign kingdom with a language very few know. His crowning as king was the last thing anyone wanted, and it was a well-known secret. He knew many coveted what was his and wouldn't stop at anything to claim it. Unrest was growing; he was being betrayed and undermined, but he didn't know by whom. He couldn't tell his friends from enemies and had very few people he could truly trust. YC had little interest in goingbut wass urged on by his council, who insisted he needed a queen and heir. The moment the princess sees YC, she is enamoured with him. But the entire time he is conversing with her through a translator, he can't help his eyes from wandering to the lady-in-waiting lingering nearby. He quickly catches that she understands him, that she somehow knows his language. His interest is piqued; not only does he find it strange that a lady-in-waiting would know his tongue, but he also can't help but think about how useful it would be to have her on his side. YC needed to find the traitors, and he needed someone they wouldn't suspect of being a spy, and he couldn't help but think that MC was his solution.
The first chance he gets, he finds MC, telling him of her predicament and asking for her help. She's hesitant at first;t, what he's asking of her seems dangerous, but she hopes that he might be able to help her avoid marriage. He agrees to help her, detailing his plan to her. YC plans to feign interest in the princess, starting the courting process by inviting her for an extended visit to his home, in which MC would tag along.
But the longer they work together trying to discover the traitors, the closer they would grow. This mission becomes more dangerous than before, when both their hearts are on the line.
(This is an idea I've had kicking around for a while. I love the idea of playing with language and seeing what fun scenarios we could get in with them knowing the same language. He could tease her, watching her cheeks get redder with every word he speaks only to her. Or he could help her with perfecting her pronunciation of certain words. I just think one could be a lot of fun,n especially with how dangerous things get when they start to discover more about his traitors. This one I really, really,y really wanna do)

YC has never been known to do the right thing. His life was never easy; money was tight, and it led to him getting involved with the wrong people. But with how deep the thorns of the Quincey family were in him, he knew there was no getting out of this life. So, he kept his head down, did what he was told, took his pay. He did a damn good job at making all of their problems disappear. The job was like any other,r really: someone saw something they shouldn't, and he would need to make sure they didn't get any ideas about talking. All they gave him was the address, and he knew that meant whoever this poor soul was wouldn't be paid off. Every action was practically routine at this point: pick the lock, scout the apartment, hide and wait for the unsuspecting bastard to come home. What he didn't expect was for the owner to come home early, slipping in quietly as a mouse. He thought she would scream or run, but she just seemed to stare at him as if he wasn't there. It took a moment to realize that the witness, MC, was actually blind.
Waiting until she fell asleep, he slipped out of her apartment, calling to try and convince him, boss,s that the witness didn't need to die. But Harold Quincey is a hard man to convince of anything; he insists that if she didn't see anything, then she could've heard something she wasn't supposed to. The man can't be reasoned with, instead telling YC that if he won't do the job, he'll send someone else to do it. YC knows he could walk away, could forget about this and let someone else bloody their hands, but he can't. For the first time in his life,e he wants to do the right thing.
(I know this one might sound a little weird in concept, but I'm more interested in exploring my writing and how it can go beyond regular this is what she sees type of stuff and trying to push myself creatively with finding different ways to write things.
But I've been really drawn to this idea for a while, just because I think it could be interesting writing-wise and story-wise to see how this one will play out. He's trying to do the right thing, but he'll have to travel through hell and back to do it. Of course,e I think the romance between them would be interesting and a bit complex too. I also think their dynamic could be so interesting, with them depending on each other in a way they never needed to before. Idk, I'm just really excited about this one :p )

MC knows her death is inevitable. She was born wrong, unlike the others that line the street. Her blood is tainted, giving her gifts that others fear. Being born a witch was a death sentence, and she'd known it since she was young. Her mother tried to hide her, to shield her from the world that wanted to watch her as she walked to her death. The Death March was considered the best way to deal with witches. Witch hunters were sent out to hunt down and capture witches. Dozens were shackled, being forced to walk hundreds of miles to their doom at the hands of their captor before High King Titus. He had spent his rule intent on wiping out every witch who dared to exist. It seemed like a miracle they could hide for this long, deep in the woods away from prying eyes with a small coven. It was a quiet life, but a safe one, though she knew those comforts wouldn't last long.
YC is a seasoned witch Hunter, having spent much of his life around hunters; he knew every way to kill a witch. He had lost track of how many he had dragged back to Almaphea to kill before the king. His hands were bloodied, but he knew the cruelty of witches. Their magic was dangerous; he knew it firsthand. He had been cursed years ago, a blight consuming his body. That witch was long dead; he had little hope that he would be cured. He figured he could make his short life worth it by killing as many witches as possible before his curse consumed him.
It all happened so fast. One second MC was fast asleep in bed, the next she was being awoken by her mother. There was barely any time to dress before they were running through the woods. They had set up an escape route when they first settled down, and MC could only assume they had been found if they were heading towards the skipping stones. But the hunters wouldn't be far behind them, as MC gathered her stone in her hand,d trying to concentrate on her destination when she felt a body colliding with hers. Tumbling into the river, the stone takes them away, MC struggling to regain control of the jump as she struggles against the hunter. The stone slipping from her finger,s they tumble out of the water together. Coughing up water, she realizes 3 things. The first, she had lost her skipping stone. The second, there's a strange chain wrapped around her wrist. The third, she has no idea where they are.
(LOVE a good witch and witch hunter dynamic and them falling for each other. I feel like some of the added elements make this one extra fun. Being stranded god knows where and having to make an even longer trek back to the kingdom while trying to brave foreign lands. Being tethered together with all the juicy forced intimacy that could lead to. But yeah, I feel like this one could be hella fun, especially with how their dynamic will play out. Especially when they start to get closer to each other and he starts to grapple with the idea of having to kill her.)

Being stood up on a blind date wasn't the ideal way MC had planned on spending her weekend. Yet here she was, all dolled up and a glass of wine deep at the fancy steak place her date insisted on going to. After an hour and with her ego thoroughly bruised, she figures she might as well cut her losses and leave. But a commotion in the restaurant catches her attention. Silverware clattering, glasses shattering as a waitress yells for a doctor. MC doesn’t hesitate, rushing over to see an older man splayed out on the floor. Springing into action, she takes control of the scene, assessing that the man had a heart attack. Using all of her knowledge as a nurse, she does everything in her power to keep him alive while waiting for an ambulance. Even travelling with the man to the hospital to make sure he gets the help he needs. They rush the man into surgery while she can’t help but hover around. Despite herself, she can’t help but get attached to the people she helps, wanting to make sure the man is alright. But knowing surgery could take hours, she resolves to come back the next day to check on the man.
The last call YC was expecting to get was one from the hospital. He barely let the caller finish before he was hauling ass to make sure his father was alright. His father was alive, but he didn’t trust the hospital. Too many people, too many variables, too exposed. His father was a man with many enemies who would spring at the chance to kill the head of the Kingston family. He needed to be close, and everything needed to be ready to move his father the moment he could be discharged. Arriving at the hospital, they fill him in on the details. His father had a heart attack, but by some miracle a nurse was at the restaurant; she had saved his life, keeping his heart flowing with blood till they could operate on him. He felt grateful that his father was alive, but his mind was racing ahead, assessing threats and keeping his guard up while positioning his men around the hospital until his father was out of surgery. Already, he was preparing transport, insisting they could take care of his father's recovery at home, ready to move him before the night was through.
An alert from his men told him that his father had a visitor. Paranoid, YC rushes to his room, ready to kill the bastard who might try to kill his father. But the last thing he expects is a woman, placing flowers beside him and checking his vitals. His fingers are positioned on his gun as he talks to her, quickly figuring out that she was the nurse who saved her father’s life. Not for any reason other than because it was the right thing to do. A rare thing to see in his family's line of work.
Another alert on his phone from his men tells him that one of their rivals had found his father. They would have to rush the transport and leave now to keep him safe. The decision is impulsive, pulling out his gun and insisting that MC would come with him. He needed a nurse to help with his father’s recovery, and who better than his guardian angel for the job?
(Mafia-type romance thing. I think the sort of way they are put together makes it fun and interesting. She's there to keep his father alive, but she can’t help but be drawn to the son who’s kind of an asshole who kidnapped her lol. Of course, being kidnapped has her making not the smartest of choices, like sleeping with her kidnapper, many, many times. But what starts physically quickly becomes something more. I really wanna do this one; it’s gonna be so fun, so spicyyy)

20 years ago, an agreement was established between the elders of Oxfen and the tribe of the Lycans. For the Lycans' protection of the village, in exchange they would offer them a virgin each year to do with as they pleased. No one was really sure what happened to the women after they had entered the forest. All the villagers could hear during their restless slumber was the sound of howling echoing through the forest. Rumours, of course, have spread that the women died, devoured by the beasts as some sort of feast to keep them the terrible creatures they were. Not many in the village favoured the agreement, but they knew it was for the best; there were much worse things in the forest than the lycans, things that weren't as reasonable.
MC had grown up hearing the stories, had watched girls dressed in their finest dresses and cloaks holding back tears as they stepped into the depths of the forest. She would listen all night to their horrid howls, sure she could even hear the girls' screams mixed in with them. Most girls feared being picked, while some volunteered to be sacrifices to these beasts. 20 years, 20 girls, and MC was getting dressed to be the newest sacrifice. It wasn't a choice she made lightly. One she never thought she would have to make until the year prior, when her best friend, Penelope, was chosen. She was a coward then; she didn't take her place when she should've and had been haunted by the final words they spoke for over a year. Now, here she was, dressed in white with her red cloak to ward off some of the cold as she stepped into the woods. She needed to know what happened to Penelope, to see what was beyond the forest and with a knife hidden in her boot to make sure the beasts that dared lay a finger on her paid.
(So this would kind of be a twist on the Red Riding Hood story and sort of the dynamic between her and the big bad wolf. So for context, they ain't killing the girls; instead, the girls are like brides of sorts who had been assimilated into the tribe after "the hunt". Which is essentailly boils down to the most eligible males being sent out to the woods to hunt down their brides and claim them as a fair way of them choosing rather than them all fighting over the new bride. So whoever gets the bride gets to wed her and essentially create a life with her, but of course only if she shows interest in the match because they're not savages lol.
So who would YC be? I kind of have an idea but am always open to hearing more. My idea was that YC would be sort of an older man in the group. He had been with the group for a while but has been strongly against the idea of taking a new mate after his passed many years ago. But for whatever reason, he is tricked into joining the hunt with a lot of these younger lycans. She could be stumbling through the woods and accidentally cut herself, and it sends some of these younger lycans into a sort of bloodlust. And YC is forced to save her and lay his claim on her to keep the others from hurting her. So they would be kind of forced into this arranged marriage type of deal where neither wants this, but both are trapped in it. All the while, she's trying to figure out what happened to her friend, while he's trying to figure out a way to get out of this. All the while, they can't deny this certain pull they have towards each other and try not to (unsuccessfully) end up fucking like rabbits lol)

Anyways, those are my roles! I will probably have some more eventually, but for now this is it. Hopefully something caught your eye, and you want to try it out.
I look forward to hearing from you :)

RosRose
 
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