MxF Back From The Dead (Updated 10.11.26)

[RosRose21]

Hi hi! After disappearing for the past few months, I’m back with some new plots and itching for a good story. I haven’t been feeling the greatest lately and am trying to get back to doing some of the things that I love; writing is one of those. Anyways, I have some plots below; if you’re interested, feel free to send me a message. Looking forward to hearing from you :)

Full-Fledged Plots:
1) The Translator
2) The Warhorse
3) Champion of the Gods NEW!
4) Dead Man NEW!

Spoiler: Expectations, kinks and limits

Role play expectations:

1. I'll make this clear first that when it comes to my role plays, I am open to a lot. I have very little that truly makes me uncomfortable or that I won't do (see my limits list below). So if you like a plot but want it to get dark, as long as you talk with me about it first, then I'm all for it. Want a story that has a lot of fade-to-black? Tell me, and I'm willing to accommodate you so that we are both comfortable in the roleplay. This is a collaboration, and if you have ideas for the role, feel free to suggest them. I am open to it all, and unless it's something I'm not comfortable with, then we can most likely incorporate it. That goes as well for the pairing, see a role you want but don't want an MxF pairing, I am open to trying an FxF pairing or any other type of pairing. The worst thing that can happen when suggesting things is I say no or tweak it to my comfort.
2. GHOSTING FRIENDLY! I decided to make this clear because no matter how hard we try,y it happens from time to time. So if it happens, don't feel bad because I might do it as well from time to time. If we're just in the talking stages and you don't respond,d I won't pester you and will let it go. But if we're in the thick of a role play, then I will send a message to check in on you!
3. I prefer if my partners are at least 20+ in age.
4. When I'm writing, I usually go by a "get what you give " method. I try to match my partner in my replies, and I would hopefully expect the same from you. Nothing is as disappointing as putting in effort for a multi-paragraph, hundreds-of-words-long reply and getting something that isn't the same in return. So, that's all I ask; just try to match the best you can!
5. One-liner replies are NOT allowed! Been there, done that, and the story goes nowhere at that point if all we are doing is the bare minimum. We're writing a story,y not having a text conversation, so if I see one-liners, rs I'm out.
6. I NEED STORY. This is like a big thing for me. I'm good at doing a lot of spicy stuff like that, but I do need palate cleansers in between where there is actually a story going on. Just constant sex and stuff like that makes me lose interest. I like a bit of erotic writing in my role-plays, but there needs to be a balance. Typically I try to go for a 50/50 split between story and smut, but that can change depending on the story and the intention of the story. Some of my roles are centred around sex, while others are centred around the plot and the dynamic between the characters.
7. COMMUNICATION! Please talk to me if something in the story is bothering you, or if you need to disappear for a few days suddenly. Even if it's after you're gone, just as long as you tell me what happened, I won't be mad or upset. I try to do this with my partners the best I can just to keep them in the loop and so that they're not in the dark about why I haven't replied in a day or two; all I ask is that you do the same. I'm totally for OOC chatter as well, though I am not the greatest at it.
8. Face claims: I prefer to use realistic face claims of people. I try to steer away from using celebrities and stuff like that, but I won't get on your case for using one, cause there's a time or two when I might do the same. I'd prefer not to have anything drawn, but if you can't find a character or don't like using realistic face claims, then I'm fine with art. Just have it be realistic art if possible.
9. Threads only, as per site rules. Not my usual thing,g but I will get used to it.
10. Lastly: I am looking for someone who is into doing high-action, high-stakes, lore-heavy,avy and character-driven stories. I lean toward fantasy realms or play in settings not set in the modern age. I'm looking for someone who is fun and likes to bring bold and exciting ideas to our characters and their journeys.

Spoiler: Kinks + Limits

Kinks: My kinks can vary from a story. Something I like in one story I hate in another. So it's more a thing where I'm not going to put everything I'm ok with ( that list is way too long), but include things that in pretty much any story I like to see incorporated in some kind. But unless it's stated in my limits, I am open to a vast majority of things.
Common Kinks:

• age gaps (you older, me younger )
• being restrained (nothing too intense, some hands above the head or him pinning her down, or tying her hands behind her back. This one can get really kinky though and I don't mind that as well)
• touching/fondling without spoken permission/ being handsy in general
• clothes ripping
• forced proximity
• stockings
• biting
• oral (giving, receiving)
• teasing (in the sense of him liking to get her hot and bothered and leave her on the cusp)

My limits are very specific, but do keep in mind that some of them might ease up a little depending on the story and the dynamic of the characters. So again, if any of these are your thing, feel free to ask. Some of these are soft limits, but most are hard limits.

Soft limits: Hitting in a non-sexual sense: I do think that in the right story, something like this is a bit nice to add, but most of my stories don't have it.

• Choking: I go back and forth with this one, and it really depends on the story.
• Hair pulling, same as above; it's a thing where I think the context of the story and their dynamic are sort of needed for me to be ok with it.
• MC giving oral is a chosen thing rather than an asked/forced thing (though I am fine with coercion, weirdly enough,h depending on the story). It's a bit strange, I know, but this is just one thing that just gets me every time. I don't mind doing oral scenes, but it has to be her choice that she wants to do it. But again, the dynamic could change my stance.

Hard Limits:

• No toilet play, vomit, or gore during sexual acts.
• No holding of the back of a character's neck (specifically in a sexual sense),
• sexual embarrassment (using sex and certain fluids to embarrass a character. I.e. cum on face and them going out in public),
• no mouth to ass stuff (licking, anal to oral. I won't do it to your character, so please don't do it to mine),
• hard dom/sub and master/ slave dynamic (I like a dominant man, but don't want my character to be constantly treated like they're a sexual object when the dynamic of my stories lead to more equal sexual dynamic),
• clothing or objects in private areas (excluding actual toys of course)
• Fisting.

Now for what you really came for, the plots:

Spoiler: The Translator

Marriage was the last thing Mc has ever wanted. Much of her youth was spent trying to scheme her way out of it. But she knew that it was as inevitable as death. She distracted herself as much as she could while being a lady-in-waiting to the princess. Slipping away every chance she could to the palace library, she would glean as much knowledge as she could from every book. One of the scholars took notice of her, quietly taking her under his wing and teaching her all he knew. MC picked up a certain interest in language, becoming quite fluent in various different tongues.
When the princess came of age, so did the suitors with their gifts and offers. Many kings and princes came flooding through the halls, but none seemed to catch the princess's eye. With most prospects being rejected, the king sent invitations to various foreign kings. One found its way to YC, the king of an island kingdom. A foreign kingdom with a language very few know. His crowning as king was the last thing anyone wanted, and it was a well-known secret. He knew many coveted what was his and wouldn't stop at anything to claim it. Unrest was growing; he was being betrayed and undermined, but he didn't know by whom. He couldn't tell his friends from enemies and had very few people he could truly trust. YC had little interest in goingbut wass urged on by his council, who insisted he needed a queen and heir. The moment the princess sees YC, she is enamoured with him. But the entire time he is conversing with her through a translator, he can't help his eyes from wandering to the lady-in-waiting lingering nearby. He quickly catches that she understands him, that she somehow knows his language. His interest is piqued; not only does he find it strange that a lady-in-waiting would know his tongue, but he also can't help but think about how useful it would be to have her on his side. YC needed to find the traitors, and he needed someone they wouldn't suspect of being a spy, and he couldn't help but think that MC was his solution.
The first chance he gets, he finds MC, telling him of her predicament and asking for her help. She's hesitant at first;t, what he's asking of her seems dangerous, but she hopes that he might be able to help her avoid marriage. He agrees to help her, detailing his plan to her. YC plans to feign interest in the princess, starting the courting process by inviting her for an extended visit to his home, in which MC would tag along.
But the longer they work together trying to discover the traitors, the closer they would grow. This mission becomes more dangerous than before, when both their hearts are on the line.
(This is an idea I've had kicking around for a while. I love the idea of playing with language and seeing what fun scenarios we could get in with them knowing the same language. He could tease her, watching her cheeks get redder with every word he speaks only to her. Or he could help her with perfecting her pronunciation of certain words. I just think one could be a lot of fun,n especially with how dangerous things get when they start to discover more about his traitors. This one I really, really,y really wanna do)

Spoiler: The Warhorse

War had been raging for the past few years, ravaging the world. MC had watched her brother and father leave to join the fight. All of them leaving her to keep the house in order. The farmhouse was far from other cities and towns; she had been safe there throughout the entire conflict. But one day, while she was out in the forest trying to gather some food for supper, she came across a strange sight. A lone warhorse, its rider nowhere to be found, wounded and eating grass. She thinks nothing of it as she guides the horse back to the farm, tending to its wounds and leaving it to heal. But it’s as she is looking through the saddlebag that she finds a plethora of secret documents that were intended for the war general, YC. Documents that could change the tide of war as they lead towards an ancient magic that could decimate the other side, the side her father and brother were fighting on. MC considers burning the documents; they were meant for the enemy, and if they got hold of them, then it meant they would win. Against better judgment, she tucks them back inside, trying to pretend she never saw them. Instead focusing on healing the war horse and for a few days she's able to.
Until one night, YC comes knocking, wanting what is his.
(I love the idea of this. Even though there’s a war going on, YC still has a degree of decency, so he wouldn’t kill her, but he will be forced to take her prisoner. I think we could have a lot of fun with this and their dynamic. She was just trying to help an injured animal but somehow got herself involved in a plot to find an ancient weapon that could kill the side she's supposed to be supporting. There's so much drama, and so much we could plot out of this! I left a lot vague because I think this one lends itself best to being open-ended. Are they different species? Are they both really fighting for the right side? So many questions, and I'm eager to see some answers lol)

Spoiler: Champion of the Gods NEW!

On the edge of death, YC was saved by his long-worshipped goddess. In exchange for his life, he made a deal to become the goddess's champion, to defend her name, to battle her battles. He was given eternal life, devoting years to being his champion. But as the years passed, so did the name of his goddess and his purpose. In the modern world now, all he longs for is his eternal rest, but it is easier said than done. Praying for the first time in years, he begs his goddess to release him and to let him rest. But the rules of gods are fickle; only a new champion can replace him, and in a world where her name is scarcely known, no others can take his place. But she tells him of another way he might be able to find rest. There exists an ancient dagger that was said to have the power to kill an immortal being.
MC is a young archaeologist who has spent the past few years working under her mentor, helping to build her portfolio. But as much as she admires working with him, she has often had a strange fascination with ancient weapons and their origins. She has been struggling for the past few years to find funding for a few of her excursions in search of uncovering certain rare relics. Until one day YC comes strolling into her office, offering her funding if she is willing to lead an expedition to locate and uncover an ancient sword. She can't help but jump at the opportunity to seek out the weapon and agrees.
(Pulled this one from my other thread because I loved it so much lol. But I really love this idea; I think it could be so much fun to play out in depth. Just having the dynamic between a world-weary immortal paired with a wide-eyed and eager archaeologist could be so much fun, especially as they go on the expedition in search of the sword. Of course, they won't be the only ones seeking out the sword, so they'll be some fun to have them try to sneak past them or get into conflicts with them. I also think it could be fun to play with the idea of his immortality and how he won't be able to hide it for very long lol. It's also going to be devastating when they find the sword finally, and he has to figure out if he wants to die or if he found something new to live for. I don't know, I'm just so, so excited to try this one out.)

Spoiler: Dead Man NEW!

YC has spent years on the front lines of what felt like an endless war. He witnessed the death of his friends and brothers in arms, rising through the ranks in the process. On the night of what would become the final battle, he was gravely wounded. Unable to lead or witness the eventual surrender of his side to the other forces. While unconscious, one of his men, working quickly, stripped him of any indication of the side he was on, giving him the clothes of a dead soldier. When the injured and dead were collected, he was taken to the winning side and cared for while unconscious. When he wakes in the hospital, he is alive but not whole, his wounds deep and still healing. They call him by a different name, his tags gone and replaced with another man's. If he tells these people who he really is, he's sure they would kill him on the spot. So he plays along, learning to respond to his new name as the nurses replace bandages and feed him soup. By the time he is healthy enough to be discharged, it's into a world he doesn't recognize; even with the war over and done with, the remnants of destruction linger. He leaves this tattered battlefield, heading back to the address on the dead man's documents, returning to a little cottage on the outskirts of a small village. The last thing he expected to find was the dead man's wife.
The moment MC had embraced her husband for the first time in years, she quickly realized that the man who had stumbled to her doorstep wasn't her husband. Beneath the bandages and the dog tags he wears, she knows this isn't the man she married. Having no real choice, she invites this stranger into her home, pretending to be none the wiser that the man sharing her bed isn't her husband. But how long will she be able to keep up the facade? How long will he keep his secret? What happens when the truth is out?
(I thought this idea was quite interesting. Mainly because of how much tension can be played with early on. They've been at war for years, and their people are sworn enemies, so to be sleeping with the enemy (in more ways than one) must be nerve-racking. They're strangers, neither sure what the other is capable of, both of them quite vulnerable. But I also think that it will be within that dynamic that something will grow. She's a widow now, and being in that position means that she will lose her home; she'll have to remarry if the town knew. It also means that as a soldier for the other side, if he is found out, he will be killed, and he doesn't want to die. So, despite themselves, they need the other, and it will be interesting to see how that need evolves throughout the story.
I think that this one in particular is just such an interesting story, and it will be so interesting to see how it plays out.)

Anyways, those are my roles! I will probably have some more eventually, but for now this is it. Hopefully something caught your eye and you want to try it out.
I look forward to hearing from you :)

RosRose

 

[Energizerman2]

Hi im Interested in crossed lines

 

[RosRose21]

Hi im Interested in crossed lines

Hi, I am no longer offering crossed lines as a playable plot. If something else interests you, please send me a PM. Thanks!