Character(s) Cassowary's OCs (AKA The Box of Boys)

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Character(s) Cassowary's OCs (AKA The Box of Boys)

Content Warning
  1. Kink
  2. Graphic Violence
  3. Sexual Assault
  4. Self Harm
  5. Substance Abuse
  6. Narrative Bigotry
  7. Sensitive Topics
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Today 8:44 AM
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Evan Prescott
Vampire - Priest - Guardian
Link to MOOD BOARD

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“I guess some of us are just born with tragedy in our blood.”

— Richard Kelly



[The Basics]

Nickname
The Saint - Other Vampires refer to him as this, it's usually meant to be derogatory

Birthday
He’s not sure of the exact day, he believes it was in 1720 or there abouts. He appears to be in his mid twenties, but is closer to 326.

Birthplace
Upstate New York, USA

Occupation
Evan has made many long-term investments and stolen from enough victims that money is no longer a concern. He does, however, have a “vocation”: to rid this world of the evil his kind created. To accomplish this, he has honed both body and mind for the hunt. Not to feed, but to atone for the atrocities he committed as a fledgling.

Orientation and Roles
Pansexual, Switch, 300+ years makes you crave experimentation

"The world changes, we do not, there lies the irony that finally kills us"
— the vampire Armand



[Appearance]

Height
6’2”

Build
Evan possesses a lean, slender build, a ghost of the hard human life he once led. Though he looks deceptively frail, his strength now stems from the dark gift, making him far more powerful than his frame suggests. His features are sharp, angular, and distinctly cat-like. His skin is so strikingly pale, it often appears translucent under artificial lights.

Face
Like all of his kind, Evan's mouth houses two sharp fangs where human canines would sit, flanked by a smaller, secondary set. His eyes burn with a bright, inhuman shade of blue. However, when the blood hunger strikes, his pupils dilate until his eyes seem swallowed by blackness. In the darkness, they can even glow with the predatory luminescence of a hunting carnivore.

Hair
Dark and unruly, his black hair appears perpetually windswept. He has occasionally attempted to cut it into a more modern style for the sake of maintenance and blending in, but the dark gift forces it to grow back within moments, always returning to that wild, natural state.

Scars & Markings
Although his vampiric nature now grants him rapid healing that prevents new scars, his body remains a map of his human suffering. Lash marks scar his upper back, a permanent reminder of a whipping he endured as a child for stealing food. Most notably, the tell-tale puncture marks of his turning scar the crook of the left side of his neck.

Wardrobe
Evan’s wardrobe is an amalgamation of over three centuries of life. While survival demands he adapt his style to the current era to blend in, a part of him remains forever nostalgic. He clings to garments from his past, resulting in an eclectic mix. His choice of attire depends entirely on his mood, how he wishes to be perceived, and the nature of the night's hunt.

“Evil is always possible. And goodness is eternally difficult.”
— Anne Rice



[Traits]

Skills & Weaknesses
Telepathy: Evan cannot read thoughts, but he can sense the emotional states of beings within at least a few hundred feet.
Keen Senses: The dark gift gives all vampires enhanced hearing and vision. They can see in the dark like a cat and hear as well as any hound.
Speed: Like all vampires, he can move faster than the human eye can see.
Strength: He easily has the strength of half a dozen men, though his slender frame would suggest otherwise.
Research: Evan has an excellent memory for folklore and is very well read.
Vampiric Weaknesses: Silver is impossible to damage, sunlight and fire burn up to being fatal, dead blood is poisonous

Personality
Guarded: He is slow to trust and rarely gets close to humans or vampires.
Jaded but Hopeful: Years of seeing the ugliest parts of humanity have made him jaded to the world in many respects, but he stubbornly tries to still see the good.
Religious: Still a devout Catholic, Evan prays daily and reads the Bible for study.
Charming: Time has given him the skill to handle weak willed humans
Self-loathing: He still sees himself as a broken thing, a monster.
Pansexual: Evan has very slowly come to embrace his sexuality. In his early years as a vampire, he found that he did not care where he got pleasure from, and when he tamed his wild nature, he was able to find peace with the part of himself that desired forms of many types.

"For they have shed the blood of saints and prophets, and thou hast given them blood to drink; for they are worthy"
— Revelation 16:6:



The Child
Evan Prescott has never been certain of the year he was born. Nor the exact place. Back then, birth records were only kept for people with wealth or station, and the sisters at Saint Bartholomew’s Orphan House in upstate New York only guessed at his age when they took him in.

He remembers snow. Hunger. The sound of iron bells at dawn to call the children to morning prayer. And most of all, the ache of cold in his small form from sleeping on floorboards beneath thin blankets.

He possessed no family name when he arrived at the orphanage, battered and skeleton thin. “Prescott” was given to him by the parish priest, after an old benefactor whose portrait hung in the church hall. Evan used to stare at that painting while his stomach cramped with hunger. The benefactor's fat face was set in a stern look as he sat in lush clothing next to a bowl of fruit.
Evan wondered what kind of God allowed one man to live surrounded by riches, while children froze in alleys only streets away. But perhaps God had something different planned for Evan.
The orphanage was strict and the doctrine of the church was followed to the letter. The sisters of Saint Bartholomew’s believed suffering built character, and so they never spared the rod.
Evan learned his prayers alongside discipline and pain.

When he was nine, he stole a loaf of bread from the church kitchen. He had tried to eat the sisters’ porridge, but something in it made him ill and his stomach led his hand to steal. He was caught before he could take a bite.

The priest whipped him publicly before the other children as he was tied to a post in the courtyard. The others laughed. Evan never forgot the humiliation of it. He still carries the scars on his back, a reflection of the ones on his soul. Yet strangely, he did not lose faith. If anything, he clung to it harder. He convinced himself that God was challenging him. Breaking him apart to build him into something new.

The Priest
As he grew older, he became quiet, intelligent, and deeply devout. The church taught him to read and write and recognized his discipline. They offered him a path few orphans ever received, the priesthood. Evan accepted without hesitation. The clergy was already his only family and the church was his home. He studied scripture obsessively, finding comfort in ritual and purpose in helping the poor and in need.

By twenty-five, Father Evan Prescott was known as a compassionate young priest who wandered dangerous neighborhoods at night carrying food, blankets, and medicine to the forgotten and wayward. Some admired him. Others thought he was naive. Neither opinion mattered to Evan, and nothing brought him greater joy than his duty.

One storm-ridden winter evening in 1745, Evan answered a frantic knocking at the church doors long after midnight. A man stood outside soaked to the bone, pale and trembling violently. He begged for sanctuary, claiming he was pursued by demons and the dead. Evan, unable to refuse someone in mental and physical distress, brought him inside and out of the storm.

Evan closed the heavy wood and iron doors. The stranger wept as Evan prayed over him. And then suddenly, the stranger attacked.

The turning
The creature was not human, but a vampire. An ancient, starving, and hopelessly mad monster. He spoke in fevered fragments while feeding from Evan’s throat, muttering that the blood of a holy man might cleanse centuries of evil from his soul. He called Evan “pure”. He laughed, he cried, and he drank until Evan’s heart slowed toward death.

The man would not simply let Evan die. No, he babbled that Evan's soul needed to live on so that he may escape to heaven. Evan, on the brink of death, did not care or understand. And then he felt hot blood on his lips. Sweet and warm and rich. It was ambrosia. It made him feel light, the pain and chill gone from his body. He reached out and grabbed the offered limb, not hearing the coos of encouragement coming from the monster that fed him his immortality.

And then it was done. The blood was gone, and the pain that followed threatened to rip him into pieces.

As Evan collapsed dying upon the cathedral floor, the creature staggered toward the church basement in hysterics. Nuns later claimed they heard screaming from beneath the sanctuary that woke them in the night.

The vampire had hurled himself into the furnace, ending his immortal life.

Between the pews, in front of the altar, another monster was born while the other burned.

Evan awoke, gasping for air into lungs that no longer needed to breathe. Eyes wide and seeing in a way no mortal could. And the pains of hunger, they had already begun.

The monster
No mentor came for him. No ancient guide explained the laws of his kind or how to survive. For years, he wandered alone through growing cities like a specter. Hunger ruled him. He fed with abandon. He delighted in carnal pleasures. He lost himself to the night. Every few years, guilt would consume him and he would think of ending it.

He tried to starve himself in abandoned chapels. He tried to greet the sunrise until feral instinct made him flee back to the dark. He tried to pray the devil out of his blood. Nothing worked. He felt like a coward and a fool.

By the 1860s, Evan had given up. He drifted through brothels, gambling halls, battlefields, and opium dens, surrendering himself to decades of bloodlust and debauchery simply because resisting hurt too much.

He wandered into New Orleans half-feral after feeding his way down the Mississippi River, drawn by the city’s music, decay, and endless nightlife. New Orleans suited predators. Sin walked openly there in silk gloves and bowler hats.

That was where he met her.

The companion
She found him feeding in an alley behind a gambling house, covered in blood from mouth to navel and on the verge of frenzy. She watched him with cold amusement before asking:
“Mon ami, do you intend to remain an animal forever?”

Julie was older than him by centuries, elegant and impossibly perceptive. She taught Evan what he could not harness in himself, restraint. She showed him how to hear emotions through walls, how to endure hunger without surrendering to bloodlust, and how to spare his victims from death.

Together they built an unusual life in New Orleans. While other vampires hunted indiscriminately, Evan and Julie began feeding only from those they believed deserved judgment. Murderers, abusers, predators hiding behind wealth and status, or slipping through the clutches of human law. They turned the same judgment onto their own kind, ending those that refused to live in peace with humans.

Occasionally they fed from willing mortals enthralled by the danger and intimacy of vampires. Their kind was readily available in the dark recesses of a town like New Orleans.

Over time, whispers spread among the undead. Stories of vampires who hunted their own kind when they preyed upon children or slaughtered recklessly. A devil who still wore silver crosses and prayed in cathedrals. A monster who quoted scripture while tearing apart sadists and killers.

They began calling him The Saint. Most used the title mockingly and with disdain. Others spoke it with fear.

Julie remained with him for decades, but vampires are rarely allowed permanence. In 1786, Evan returned to their townhouse near the French Quarter to find Julie gone.

On his coffin, a letter and a ring left atop a Bible.

The letter was painfully brief:
You no longer need me, mon saint. Europe calls me home. But you, my beautiful friend, you are home.

She never returned. Evan still wears the ring on a chain beneath his shirt.

The saint
Now, after more than three centuries of undeath, Evan Prescott remains. A guardian. A relic. He moves through the now electricity-lit streets and the familiar candlelit cathedrals, hunting monsters that humans rarely notice until the fangs sink in.

“The undead did not love, but they remembered love with a savage loyalty.”
— Kim Harrison
 
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Gabriel Montgomery
Punk - Mechanic - Disappointment
Link to MOOD BOARD
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“I'm not singing for the future
I'm not dreaming of the past
I'm not talking of the first time
I never think about the last”
Shane MacGowan



[The Basics]

Nicknames
Gabe, Monty

Birthday/Age
November 5th / 20s

Birthplace
Newark NJ, USA

Occupation
Mechanic

Orientation and Roles
Bisexual (Closeted or not depends on story), Dom leaning switch with lots of kinks (specifics dependant on story)

“I was sayin' let me out of here before I was even born.”
Richard Hell



[Appearance]

Height
6’4”

Build
Gabe is lean and tall, with long limbs and fingers. He’s built well, with corded muscle built solely from his day job (he has no interest in sports or working out). His skin is pale from his Scottish heritage, and if he’s in the sun for any length of time, he might develop freckles. His hands are calloused from guitar playing and handling tools.

Face
Gabe is handsome, and he unfortunately knows it. He’s been told by more than a few people that he has an "Old Hollywood" face, whatever that means. His features are chiseled, with deep-set eyes, a small cleft in his chin, and expressive brows. Around his golden-brown eyes, he almost always wears dark black liner, smudged at the edges.

Hair
Gabe's hair is perhaps the most changeable part of him. Naturally, it's thick and dark brown, but he tends to keep it bleached so he can dye it other colors; usually dark blue, red, or purple. He does this himself, so on occasion he misses a spot in the back. He styles it wildly, in a mohawk, or even in spikes, depending on his mood.

Scars & Markings
Gabe has a few scars here and there. Some small ones on the inside of his left arm are from a body shop accident. Another on his right ear is where a piercing was pulled out during a bar fight, which is why he doesn't wear many piercings anymore. He still has his brow and nose pierced, but they aren't always in. His primary addiction is tattoos, and that's where most of his money goes. Gabe has tattoos down both arms, on his back, his hips, and his hands. He has just started work on his thighs as well. Most are simple blackwork and traditional. The imagery includes album art, poisonous plants, birds, skulls, band symbols, and his knuckles spell out "TRUST NO ONE".

Wardrobe
Gabe wears whatever the hell he wants. Almost all his clothes are shop-lifted, thrifted, or purchased at merch tables. He rotates between leather jackets and ripped jean jackets. He’s altered more than a few items with chains, patches, and tears. Gabe has an assortment of studded and riveted belts, silver rings, and leather cuffs.

“You tell me that I make no difference At least I’m fuckin’ trying.
What the fuck have you done?”
— Minor Threat




[Traits]

Skills & Weaknesses
Mechanic: Good with his hands, tools, and a puzzle to solve
Musician: Guitarist and "singer", if you consider shouting and brutal screaming to be singing
ADHD: Don't ask him to sit still or pay attention
BPD (Borderline personality disorder): Mood swings, problems maintaining relationships, fear of rejection
Hypersexual: Sex = acceptance

Personality
Obnoxious: Loud and takes up space
Chaotic: Always needs to cause trouble
Loyal friend: Friends are just close enough to not be "scary" and he needs them for self worth
Music lover: Strong opinions about every genre
Childish: Still spends a lot of time in arcades and avoiding responsibility


“I'd rather stay a child and keep my self-respect / If being an adult / Means being like you."
— Dead Kennedys



C H I L D H O O D
Gabe was born with a restless energy and a chaotic nature that no one has ever had success taming. He grew up in a working-class household where his parents would fight daily over everything from dinner plans to mortgage payments to the way his father’s gaze lingered on a waitress.

On top of the struggle that was his home life, school was a nightmare for him. The structure of it bored him to tears, and his mind would drift constantly. Between his ADHD making him fidget endlessly and his BPD making him hypersensitive to any negativity, he was labeled a rebel and a troublemaker. He couldn’t change it, so he embraced it. He stopped caring about grades, popularity, and abiding by any rule he thought was bullshit.

His mind had always liked technical puzzles. Gabe could barely read more than a paragraph before he got a headache, but he could fix almost anything mechanical or electrical. So, Gabriel dropped out when he was sixteen after he heard about a technical school where he could get a GED, and a job as a mechanic.


N O W
Working under a hood gave him a sense of control he didn't get anywhere else. He's been a grease monkey ever since, spending his days covered in oil and dirt and his nights in whatever dive bar or basement is playing the best music.

He met Mia in the shop when she came in for an oil change and he caught more issues that saved her some trouble down the road. She’s the complete opposite of him, which is probably why he likes her. She’s smart, organized, beautiful, and everything he isn't. They’ve been seeing each other for a month, and it’s amazing. But she’s also trying to "fix" him. She wants him to get a "real" job (even though he owns his tools and pays his rent), go to therapy (he hates it), and stop dressing like it’s the 80s. She hates his music, his makeup, and the hair dye that stains his bathroom sink.

Gabe likes her, but he doesn’t want to change. He likes his chaos, his tattoos, and his music. He’s started to feel less and less like himself, but he’s afraid to lose someone that he believes is way out of his league.
"What do you do when your foundation falls apart?"
– Stevo, SLC Punk!
 
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Marcus Dillinger
Veteran - Author - Broken man
Link to MOOD BOARD
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"The world breaks everyone and afterward many are strong at the broken places."
— Ernest Hemingway



[The Basics]

Nicknames
Mark, Bear

Birthday/Age
April 16th / 30s or 40s

Birthplace
Kansas City, USA

Occupation
Author, Veteran

Orientation and Roles
Pansexual (Closeted or not depends on story), Feral Dominant, Service Top

"I'm broken. I don't fit in. And in a moment, I'm going to be gone."
— John Rambo



[Appearance]

Height
6’3”

Build
Marcus was blessed with a body that developed and held muscle well. That trait helped him maintain his strength in the marines, and now keeps him fit. He has broad shoulders, thick thighs, and strong arms.

Face
Classically handsome, he has a sharp jaw and chiseled cheekbones. His eyes are a soft green and rimmed with thick dark lashes.

Hair
His hair is dark brown and longer on top. He keeps the sides trimmed, though the length does nothing to hide the streaks of gray at his temples.

Scars & Markings
Marcus has several scars from weapons, burns, falls, and accidents. Most of his body is covered in them.

Wardrobe
Simple, practical, comfortable.

"How do you pick up the threads of an old life? How do you go on, when in your heart you begin to understand… there is no going back?"
— Frodo Baggins




[Traits]

Skills & Weaknesses
Soldier: Expert in hand to hand combat, weapons, and tracking
Author: Well read and well spoken when writing, not so much when speaking aloud
PTSD: Severely traumatized and suffers from panic attacks and night terrors
Anxiety and Agoraphobia: Hasn't left his property in years, trusts almost no one and nothing


Personality
Guarded: has learned to keep his problems to himself
Intelligent: Strategist, planner, (overthinker)
Loyal brother: His brother is the only person he truly trusts (for now)
Possessive: What is his, is HIS
Stubborn: Set in his ways

"He was a soldier once. And there are things you can't undo, or make up for. But you can try. You can try like hell."
Logan



Kansas City Boy
Marcus was born the eldest of two boys in a working-class neighborhood on the east side of Kansas City. His father drove long-haul trucks and was gone more than he was home. His mother worked double shifts as an ER nurse. From the time he was eight, Marcus was the one making dinner, checking homework, and standing between his little brother Danny and anything that might hurt him. Including, on the bad nights, their father's temper when he was home.

He earned the nickname "Bear" in high school, partly for his size, partly for the way he'd loom silent and immovable behind Danny whenever trouble came around. He was on the wrestling team, read voraciously (a habit picked up from hiding out in the public library after school while he waited for Danny), and wrote things he never showed anyone journals.

At eighteen, with no money for college and a restlessness need to escape, he enlisted in the Marine Corps. Danny didn't speak to him for a month.

The Fall
In the military, Marcus was a natural. Strong, disciplined, and intelligent. He deployed multiple times over more than a decade of service: Iraq, Afghanistan, and later assignments he still can't legally talk about and wouldn't if he could. He rose to Staff Sergeant. His men trusted him because he never asked them to do anything he wouldn't do first, and because he had a gift for bringing people home. Until he failed.

His final deployment ended in an ambush during a convoy escort; an IED followed by a coordinated attack. Marcus was blown clear of the second vehicle and spent the next forty minutes dragging wounded men to cover under fire, hands burned, shrapnel in his side, one eardrum ruptured completely. Four of his men died. Two of them died in his hands while he told them they were going to be fine.

The Corps retired him. He came home to Kansas City to a country that felt like an alien world; too loud and full of people standing too close. The first year was a blur of VA waiting rooms and a short-lived engagement to a woman who eventually admitted she was afraid of him when he woke up screaming. He didn't blame her.

The night he found himself standing in a grocery store parking lot, hyperventilating and unable to remember how he got there or make himself walk through the automatic doors, was the night he stopped pretending he could pass for normal.

His brother Danny, now grown and stubbornly loyal, found him three days into a dissociative spiral. He cleaned him up, and decided to pay him back for the years 'Bear' kept him safe and fed. He helped get Marcus' house into a state of self sufficiency so he could stay home.

Now
Marcus started writing again. First it was an exercise a VA counselor assigned him, but soon it became his only therapy. What came out was a raw, unsentimental war novel he never intended anyone to read. Danny mailed the manuscript to publishers behind his back. And it became a bestseller.

Marcus declined every interview, every book signing, and every talk show. He wrote under the conditions of total privacy, communicated with his publisher exclusively through Danny, and used the money to buy a large property outside the city. It has acreage, thick forests, a long gravel drive, a good sight line from every window.

Danny visits weekly with groceries and news of the outside world (Marcus insists he can order both but Danny insists that's not the point). He's the only person Marcus can talk to without the urge to run. Everyone else is lucky if they see a glimpse of him through his gate at the end of the drive. So, Marcus lives alone with his routines. He always wakes for perimeter walks at dawn, he writes for hours, he works out to exhaust his body enough to sleep. The night terrors come anyway.

"The war tried to kill us in the spring."
— Kevin Powers,
The Yellow Birds
 
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Jack Carrow
Archaeologist - Thief - Charmer
Link to MOOD BOARD
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"Fortune and glory, kid. Fortune and glory."
— Indiana Jones





[The Basics]

Nickname
Jackal

Birthday/Age
June 3rd / 20s

Birthplace
Chicago, USA

Occupation
Archaeology Student, Freelance "Acquisitions" Specialist

Orientation and Roles
Any sexuality works (specifics dependant on story), A hopeless romantic, passionate and tender lover, would work well as a Sub for a male character or a Dom for a female character

"The problem is not the problem. The problem is your attitude about the problem."
— Captain Jack Sparrow





[Appearance]

Height
6'1"

Build
Jack has lean muscle. His skin is sun-damaged and lightly freckled from desert digs and surfing without bothering to apply sunscreen. His hands are calloused from years of ropes, tools, and hard work.

Face
Handsome in a 'boyish' way, he has bright green eyes that crinkle at the corners when he grins, which is often and usually for inappropriate reasons.

Hair
Dark brown, perpetually tousled, and in need of a cut.

Scars & Markings
His skin is marked all over from rope burns, animal bites, and the occasional bar fight. He has a particularly nasty scar on his left forearm from when a burial shaft collapsed on him about a year ago.

Wardrobe
Simple and worn-in; leather boots, cotton or flannel shirts, a thrifted leather jacket, and sturdy jeans. Around his neck hangs a cracked amulet of Anubis on a leather cord. It was the first artifact he ever found, and the one thing he's never been able to bring himself to sell. He also wears a few silver rings, cuffs, and leather bands picked up from village markets on his travels.

"The extraordinary is in what we do, not who we are."
— Lara Croft





[Traits]

Skills & Weaknesses
Scholar: Reads ancient scripts, meticulous in his work, raised in the backrooms of a museum
Thief: Expert lockpick, infiltrator, and procurer of "museum-quality" artifacts
Reckless: Careless with his own body when in the pursuit of fun, wealth, or work
Criminally Dangerous: Thrown out of two dig sites, jailed in five different countries, and shot at more than a couple of times

Personality
Charming:
His armor. It gets him through doors, out of tight spots, and occasionally out of jail cells
Sarcastic: Regardless of who he's speaking to
Anti-authority: Believes authority should be earned, and even then, questioned
Wonder-struck: Beneath the swagger is a genuine, almost childlike awe for his work. Catch him alone in a tomb and he'll be tracing carvings like he's enamored, mumbling to himself or writing in his journal. His curiosity also means he is completely incapable of leaving a locked door unpicked
Loyal: To a fault, and incapable of being casual (he's pretty much given up on dating)
Old-fashioned: Will never leave damsel in distress unassisted (even when she insists she doesn't need it)


"Sic parvis magna - Greatness from small beginnings."
— Sir Francis Drake






Museum Kid
Jack is the only child of Elliott Carrow, an assistant curator at Chicago's natural history museum, and a mother who left them both when Jack was six. He grew up in the dusty backrooms of the museum, learning to read hieroglyphics and cuneiform while other kids were watching cartoons. Despite his academic upbringing, he struggled in high school. Classes required sitting still, paying attention, and absorbing every topic regardless of how dull. He made his way into university on scholarships and sheer stubbornness.

The Freelancer
Jack promptly discovered that scholarship money doesn't cover expedition fees or bail. Neither does a single parent with a small academic salary. So, he "freelances". Officially, he's a promising archaeology student. Unofficially, he's the man wealthy collectors hire when they want something museum-quality for themselves. He tells himself it's not grave robbing because the items are being appreciated. Because they aren't really unique, ancient jewelry is more common than you'd think. Besides, it's only temporary. Once he's out of school, he can stop. It's not like he enjoys it anyway.

Now
The tally so far: thrown out of two dig sites, a few nights in jail cells across five different countries, and shot at more than a couple of times. He keeps digging, keeps charming, and keeps telling himself the next job is the last one. His dwindling bank account says otherwise.

"I can resist everything except temptation."
— Oscar Wilde
 
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Recklan Shaw
Crime Lord - Billionaire - Sadist
Link to MOOD BOARD
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"Please allow me to introduce myself, I am a man of wealth and taste."
The Rolling Stones, Sympathy for the Devil





[The Basics]

Nicknames
Shaw, Boss, Reck

Birthday/Age
October 9th / Mid 40s

Birthplace
Chicago, Illinois, USA

Occupation
Head of a citywide criminal organization. Owner of various legitimate shell holdings, real estate properties, and an escort network

Orientation and Roles
Pansexual. Pleasure Dominant. Sadist. There is nothing vanilla about this man.

"Every man has got a code, and mine is simple: never let anyone see you coming."
— Frank Costello





[Appearance]

Height
6'5"

Build
Massive and disciplined. Broad-shouldered, heavy through the chest and arms, with the kind of functional muscle earned through decades of never letting himself go soft. He moves with a predator's grace. His size alone ends most renegotiations before they start.

Face
Hard, angular features with a strong jaw that tends to work when he's irritated. His default expression is unreadable calculation and his smile shows too many teeth. His eyes are dark brown, sharp, and ever watchful. He has a sculpted beard that he keeps short, close to stubble.

Hair
Dark, perpetually somewhere between styled and raked-through.

Scars & Markings
A lifetime of crime is catalogued on his skin. He has knife scars across his forearms and ribs, an old bullet graze along one shoulder, and knuckles that have been broken and reset more than once.

Wardrobe
Expensive and understated. When out on the town he wears charcoal and black suits tailored to his frame, quality leather shoes, and a Rolex. At home he strips down to athletic pants and bare chest or old, worn shirts he's slept in a hundred times. He buys things because they're good quality, not because they're impressive (the fact that good things tend to be expensive is incidental).

"A man who isn't careful can never be anything at all."
— The Godfather





[Traits]

Skills & Weaknesses
Marksmanship: An expert shot
Reading People: He observes and catalogues. He has honed this with interrogations, in negotiations, and in bed. He can smell fear and bullshit in equal measure and has built an empire on knowing which is which.
A Boss: He is aware of exactly how good he is at what he does, and flattery aimed correctly can slide past his defenses.
Too skilled: Twenty-three years at the top has made the work routine. He craves the unexpected; a challenge, a surprise, a worthy opponent.

Personality
Meticulous:
Nothing in his life is left to chance. Every door has a thumbprint lock, every guard has a rotation, every contingency has a contingency. He survived two decades in a business that kills men in two years by being the most careful person in every room.
Patient: He lets fear build and lets pleasure build slowly. The build-up, in interrogation or in bed, is the part he savors.
Possessive: He does not share. What is his, is his.
Sadistic: He enjoys getting his hands dirty and doesn't lose sleep over the people he's hurt. But his cruelty is a controlled tool, not an addiction. Those under his protection are cared for, paid well, and kept comfortable.
Honest: Perhaps his strangest trait for a career criminal. He doesn't say things he doesn't mean, doesn't pretend to be misunderstood, and will tell you exactly what he is. He finds lies inefficient and boring.


"I never lie to anyone because I don't fear anyone. The only time you lie is when you're afraid."
— John Gotti






Childhood
Recklan is quick to correct any assumption of tragedy: he had a fine childhood, an ordinary one, and none of what came after was anyone's fault but his own choosing. He entered the business young and rose the way careful men rise, over the bodies of less careful men. He has never pretended to be anything other than what he is.

The Rise
Two decades of building. The warehouse district operation, the shell companies nested inside shell companies, the escort network, the police who somehow never find an issue with any of it. He established himself as untouchable not through violence alone but through precision and patience. He is always hiding in plain sight and one step ahead. His right hand, Mark, is the only other person with thumbprint access to his penthouse and the only person he truly trusts.

The King
Today, Recklan lives in a penthouse directly above the warehouse that made him rich. He sleeps on top of his empire with a rifle within reach. His days are filled with ledgers, shipments, and the occasional hands-on interrogation when his men need reminding of why he's the one at the top. His gut instinct has kept him alive for years in a business where the average kingpin lasts as long as a fruit fly, and he has never once ignored it. The only thing his empire hasn't bought him is someone that can keep up with him in life and bed, and a man who has everything eventually starts to hunger for the one thing money can't buy.

"You can go further with a smile and a gun, than with a smile alone."
— Al Capone
 
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Father Aidan Kelly
Scholar - Priest - Ameteur Detective
Link to MOOD BOARD
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"Heaven and hell are right here. Behind every wall, every window. The world behind the world, and we're smack in the middle."
— Constantine




[The Basics]

Nicknames
Father Kelly, Danny (childhood name)

Birthday/Age
October 1st / Late 20s

Birthplace
Boston, USA

Occupation
Catholic Priest

Orientation and Roles
Homosexual virgin. He's kinky, switchy, and vers but doesn't know it yet.

"There are more things in heaven and earth, Horatio, than are dreamt of in your philosophy."
— Hamlet




[Appearance]

Height
6'

Build
Tall and lean, but stronger than his cassock suggests. He runs every morning at dawn and works out every evening to keep him fit. It also keeps his thoughts at bay so he can sleep.

Face
Pale Irish complexion with a scattering of freckles across his nose and anywhere the sun has touched. Soft, honey brown eyes that shine with amber in direct lights. He has light lashes and brows that give his face a golden look.

Hair
Auburn red, kept neat and combed back for Mass, though it curls when he isn't preaching. He often rakes his hands through it while reading or stressed.

Scars & Markings
He has a crooked pinky finger that never healed right after a "conversation" with a grave robber. A burn mark on his left palm he doesn't talk about.

Wardrobe
Black cleric robes and a white Roman collar during the day. Off-duty he wears a long charcoal duster-style overcoat that his sister says makes him look like an old man and which he refuses to give up, because it has great pockets to fit a stole, holy water, a notebook, pens, a pocket knife, and a silver crucifix. He wears his grandmother's Miraculous Medal under his shirt.

"The light shines in the darkness, and the darkness has not overcome it."
— John 1:5




[Traits]

Skills & Weaknesses
Theologian: Ordained priest with a doctorate in theology. He reads Latin, Greek, and Old Irish
Occultist: Recent studies have enhanced his knowledge of folklore, demonology, and the paranormal
Investigator: Patient, methodical, observant. People confess things to a priest they'd never tell a detective
Chronically Broke: A parish priest's salary is not large, he lives out his vow of poverty every day

Personality
Intelligent:
Extremely well read, witty, and a quick thinker
Compassionate: He genuinely loves his parishioners and grieves every name lost to age, sickness, or violence
Insubordinate: Believes authority should be earned. God has earned it. Few others have.
Obsessive: Once a question takes hold of him, he cannot put it down. Or sleep.
Protective: Incapable of not protecting those that need it, even when they're a monster
Brave: He walks into the dark even when it's against his better judgment

"I want you to believe... to believe in things that you cannot."
— Abraham Van Helsing, Dracula




The Good Son
Aidan was the third of five children in a devout Irish-Catholic family in South Boston. He was the quiet one and an avid reader. His proud mother always called him 'her angel', the one child that never broke a rule. He was an altar boy at seven, stayed late at catechism class to help the nuns, and always said his prayers. But by twelve, he took an interest in his grandmother's shelf of religious and occult books. She had 'Lives of the Saints' leaning against books on Irish folklore. Banshees, changelings, and the hungry dead. She told him the old stories weren't contradictions of the faith, but its shadow. It's twin. The darkness was real, and so was the light. He believed her then, and has believed her more and more since he has been studying on his own.

By fifteen, he knew that he was different in a way his family and his Church had no kind words for. Seminary offered an solution that felt like mercy at the time. He could live a life where no one would ever ask why he didn't have a girlfriend. At the time, he convinced himself that's why he was the way he was. It was His hand, guiding him to the calling. Now he knows it was just a liferaft he clung to.

The Scholar
Aidan excelled in seminary and was sent to Rome for doctoral work in theology, where he was quietly pulled toward the archives no one talked about at mass. Accounts of exorcisms, revenants, and the unknown. The interest that his grandmother sparked had been stoked into a new fire. He learned that the folklore was consistent across cultures that had never met. The unquiet dead, the existence of demons, the hunger for human blood.

After earning his degree, he returned to a parish assignment and settled into the rhythm of Masses, confessions, funerals, and the occasional wedding. His research stayed in locked cabinets and drawers, along with his desires.

Now
Eight months ago, a young man from his own parish was found dead in an alley. He had been exsanguinated, his throat wounded, with no viable forensic evidence. The police called it an animal attack. Aidan asked which animal drains six liters of blood in darkened city alleyways. Then it happened again. And again. Five victims now, each matching patterns Aidan has read about in manuscripts centuries old.

So Aidan runs his own investigation, sitting with grieving families as their priest and asking questions no detective would think to ask. He cross-references burial records, he walks crime scenes at night with holy water in his pocket and a profound absence of a plan in the other. He hasn't told the diocese or the police, aside from the one homicide detective who's stopped hanging up on him. He's not sure which secret would end his career as a priest faster; that he believes a vampire is hunting his city, or the fact that he kissed the detective after a nightcap over case files.

"Paranoid? Probably. But just because you're paranoid doesn't mean there isn't an invisible demon about to eat your face."
— Harry Dresden, Storm Front
 
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Donovan Romanet
Murderer - Monster - Man of Absolutes
Link to MOOD BOARD
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"I'm not the monster he wants me to be. So I'm neither man nor beast. I'm something new entirely. With my own set of rules."
— Dexter Morgan,
Dexter



[The Basics]

Nicknames
Don, Roman

Birthday/Age
March 13th / 30s

Birthplace
Amarillo, Texas, USA

Occupation
None (Ex-Con)

Orientation and Roles
Pansexual (Closeted or not depends on story), Dominant Hedonist with feral kinks

"Every man carries a circle of hell around his head like a halo."
— Max Cady,
Cape Fear



[Appearance]

Height
6'3"

Build
220 lbs of dense and useful muscle. He is built like a gun safe, something to house power and violence. Broad through the shoulders and chest, thick and roped forearms, hands calloused and scarred. Dark hair dusts his chest and works down his abs.

Face
Hard jaw, heavy brow, features that read as handsome in photographs and dangerous in person. Dark brown eyes that almost read black. A few days of stubble more often than not. When the mask is on, his expression is politely neutral. When it's off, people tend to step back.

Hair
Dark chocolate brown, kept short on the sides and longer on top, perpetually finger-combed.

Scars & Markings
Belt scars across his back. A badly-set break in his left shin, covered by a single straight line of ink.

Right arm, Bicep Band – Dense forest
Right Wrist — a chained dog, sitting
Left forearm – Human heart pierced by a feather
Ribs, left side —"Suum cuique tribuere” To render to every man his due
Inside left bicep — five short tally marks
Right thigh, inner — a hunting knife, blade down
Left thigh, outer — a large patch of blackout, about 6” by 8”
Left knee — a spiderweb
Top of the right foot — a compass rose, no needle
Right calf — “BE STILL” written upside down
Left calf, outer — a line from knee to ankle

Wardrobe
Work boots, dark jeans, plain tees and henleys under a canvas jacket. Nothing with logos or memorable that would stand out on a witness statement. Cleans up devastatingly well though that's a rare thing to see.

"Beware that, when fighting monsters, you yourself do not become a monster... for when you gaze long into the abyss, the abyss gazes also into you."
— Friedrich Nietzsche



[Traits]

Skills & Weaknesses
Reading people: Decades of survival honed him into a lie detector. He reads what people mean, not what they say.
Dexterous: Locks, doors, knives, first aid, violence, sex. He's good with his hands.
Morality: His rigid internal code doesn't bend, even when bending would save him. He broke his own rules exactly once. It cost him five years.
Impulse control: Alcohol or the right kind of provocation can crack the discipline wide open.

Personality
Fractured:
Diagnosed bipolar with a paranoia complex. He thinks they were wrong and that's a gross oversimplification. He lives in chaos organized by rigid absolutes.
Controlled: The mask is polite, charming, employable. The mask is also exhausting, and he is never truly himself unless he's allowed to be ferally violent and/or a complete hedonist.
Obsessive: Whether they are a target or a lover, he will learn everything about them.
Righteous: An intense sense of justice that rarely aligns with the law. People who hurt children and women are, in his mind, already dead.
Patient: Prison teaches a man to wait. The monster behind the cage door in his mind sits very, very patiently.
Solitary: He's good at alone. Five years inside and decades before it made sure of that.


"No beast is more savage than man when possessed with power answerable to his rage."
— Plutarch



Childhood
Donovan doesn't talk about his childhood. It was a cold and violent household outside Amarillo. He doesn't dwell, and he holds a special contempt for people who use their childhoods as an excuse to hurt innocents. He considers them worthy of death, a sentence he has carried out more times than anyone knows.

The Parking Lot
One night Donovan had gotten off a long shift and headed to a local dive bar. He was tired, aggravated from having to wear the mask, and four whiskeys deep. Unfortunately, he overheard a man bragging about hurting a teen girl. Obviously, he beat the man into the pavement. It was a mistake. Impulsive, drunk, and witnessed. He broke his own rules and paid for it. The charges dropped to manslaughter on a self-defense claim. They never found the other bodies. No one has.

The Release
Five years inside carved the peace out of him and sharpened everything else. Now he's out. He has a parole officer, a duffel bag, and a mechanic's hands looking for a garage that doesn't ask questions. He blends in. He says the right things. He's promised himself he'll never go back to the cage.

Don's been trying to keep the monster at bay in his head, but his head doesn't work like other people's. When something matters to him, he doesn't think about it a normal amount. Nothing matters to him yet. The world should hope it stays that way.

"He who does not punish evil commands it to be done."
— Leonardo da Vinci
 
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Jude Thomas
Goth - Runaway - Photographer
Link to MOOD BOARD
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"Sometimes you make me feel like I'm living at the edge of the world."
— The Cure



[The Basics]

Nicknames
None (never let anyone close enough to use one)

Birthday/Age
November 8th / early 20s

Birthplace
Newark, New Jersey, USA

Occupation
Record Store Clerk, Amateur Photographer

Orientation and Roles
Homosexual, almost no experience, naturally submissive. Discovered his attractions early, suffered brutal retribution for it, and now keeps his romantic desires buried deep

"You don't have a home until you leave it and then, when you have left it, you never can go back."
— James Baldwin, Giovanni's Room



[Appearance]

Height
5'9"

Build
Slender with very little muscle mass. His slight frame is the product of raw genetics, a relentless metabolism, and a diet of cheap processed junk. His skin has a persistent sickly pallor, and dark, bruised hollows linger under his eyes from years of chronic sleeplessness and malnutrition.

Face
Angular and strikingly sharp-featured, framed by a defined jawline and a small cleft in his chin. He has large green eyes and full lips; features that would make him conventionally attractive if not for his haunted complexion and hollowed-out look. Now that he lives alone, he has been experimenting with eyeliner and other gothic makeup looks.

Hair
Black, messy, wavy, and overgrown, falling into his eyes whenever he looks down.

Scars & Markings
His entire back is crossed by thick, white raised scars from years of severe beatings that split the skin over his spine. Several small, circular cigarette burns mark his upper thighs and arms, deliberate acts of torture inflicted by his stepfather. He wears layers year-round and has never willingly let another person see his scars.

Wardrobe
Always black. His style is very androgynous, pairing ripped jeans with fishnets and adding a cropped band tee. He always wears battered sneakers or combat boots. A pair of wired headphones is perpetually clamped over his ears or hanging around his neck, and a scratched 35mm point-and-shoot film camera is almost always slung across his chest or shoved into a sling bag at his hip.

"Even this must pass away and / Memories may last for years but / Names are just for souvenirs"
— Twin Tribes



[Traits]

Skills & Weaknesses
Sharp Intellect: Self-taught, voracious reader with a keen mind
Amateur Photographer: Shoots almost exclusively on expired black-and-white 35mm film; possesses an intuitive eye for shadows
Music Encyclopedia: Encyclopedic knowledge of alternative subgenres but especially goth and postpunk
Agile: Moves without making a sound; skilled at picking locks and scaling fences/buildings
Hypervigilant & Traumatized: Suffers from severe PTSD; flinches at raised voices or sudden movements, struggles with insomnia and dissociation
Self-Neglectful: Survives on caffeine, cigarettes, and snacks

Personality
Guarded: Avoids intimacy because affection has always come with a price
Detached: Uses his camera lens as a shield, watching the world from behind it allows him to engage without actually participating
Observant: Reads rooms and body language instantly, calculating exit routes
Defensive: Uses dry sarcasm to deflect personal questions
Rebellious: Resents authority and control on principle

“Invisible things are the only realities.”
― Edgar Allan Poe



Mary
Jude was born on a bleak November morning in a cramped Newark apartment where the walls were paper-thin and the carpets worn to threads. He never knew his father; his mother, Mary, offered only vague memories of charm and green eyes before shutting the topic down. Depressed and lonely, Mary cycled through men who bought cheap toys to bribe Jude, until she met Daniel Mercer. For a short time, Daniel brought stability, and Jude was content simply seeing his mother smile.

Everything fractured when Jude was eleven and Mary was diagnosed with cancer. The illness dragged on for a brutal year, consuming their savings, the apartment, and Mary's body. While Daniel retreated to the couch in an alcoholic daze, twelve-year-old Jude became her primary caretaker; tracking medications, making meals, bathing her, and praying desperately. When she died, Jude's childhood died with her, leaving him alone in the care of a bitter man.

The Breaking Point
Grief turned Daniel’s indifference into vicious resentment. He blamed Jude for Mary’s depression, the medical debt, and the loss of the household. Jude became a living scapegoat. Beatings with heavy belts left long tracks across Jude's spine, and cigarette burns were pressed into his body. Jude learned to take the abuse in dead silence, realizing early that fighting back only prolonged it.

At fifteen, Jude shared a tender, awkward first kiss with the boy next door on the back stoop. Daniel witnessed it through the kitchen window. What followed was a near-fatal assault: Daniel dragged Jude inside, beat him until he was bloody and unable to stand, and screamed that he was unnatural and disgusting.

After that night, Jude erased every trace of warmth from his demeanor. He retreated into books, blared music through his headphones at all hours to drown out the house, and spent his nights breaking into abandoned factories and construction sites. With a cheap, thrifted 35mm camera, he began capturing stark photos of rust, crumbling concrete, and forgotten rooms.

The Escape
The second Jude turned eighteen, he packed a single bag with a few clothes, his camera gear, and his favorite books, then bought a one-way bus ticket south. He found a low-paying job behind the counter of an independent record store, rented a bare room with heavy locks, and converted the tiny bathroom into a makeshift darkroom. He spends his days cataloging records and his nights developing film under a red safety bulb or wandering the empty city streets.

"I took a deep breath and listened to the old brag of my heart: I am, I am, I am."
— Sylvia Plath, The Bell Jar
 
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