FxF Chrystal's Crazy Cravings

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FxF Chrystal's Crazy Cravings

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Rules Check
  1. Confirmed
Pairings
  1. FxF
  2. FxFxF
  3. Doubling
Content Warning
  1. Kink
  2. Graphic Violence
  3. Sexual Assault
  4. Incest
  5. Self Harm
  6. Substance Abuse
  7. Narrative Bigotry
  8. Sensitive Topics
Preferred Genres
  1. Romance
  2. Erotic
  3. Fetish
  4. Deviant
  5. High Fantasy
  6. Low Fantasy
  7. Sci-fi
  8. Slice of Life
  9. Dystopian
  10. Historical
  11. Medieval
  12. Horror
  13. X-Punk (cyber, steam, aether, etc)
  14. Space
  15. Political
  16. Crime
  17. Supernatural
  18. Modern
  19. Other
Local time
Tomorrow 1:15 AM
Messages
42
Age
61
Pronouns
She Her
Hi and thank you for showing interest.

  • I'm getting on a bit, and have been role-playing for well over 40 years, on-and-off. I'm female, lesbian, married, with a full-time 9-5 M-F job.

    I live in the UK, and I'm 100% Anglo-Saxon, but married to an American of Welsh/German descent.

    I also have a fish tank, a cat, a car and a home.
  • I only write female characters and I only play opposite female characters. If you want to play a trans female, that is okay, but please tell me in advance, as we will need to discuss it!

    I tend to write about 300 to 500 words per post, but have been known to write as little as 200 or as many as 2000.

    My reply rate is usually once or twice a fortnight. I tend to post mostly on Weekends, and I like to have about 10-15 RPs on the go at any one time, because that gives me something to post to while waiting for other people. Weekday evenings can often be non-posting times, because I spend all day sitting at a computer...!

    I don't ghost. If I'm not happy with something, I will tell you. That said, it may take some time for me to work out what... If you haven't heard from me, it could be that I'm trying to figure out where to go with our story. Give me a nudge.

    Just don't nudge me too often.

    And I would appreciate the same courtesy.

    I usually try and reply to the oldest first, but that doesn't always work.
  • I'm a 50/50 switch, and I will play Domme, Sub, Butch, Femme, Top, Bottom, and vanilla.

    I'm heavily into BDSM, and I think my Kinks reflect this!

    Hard Offs

    • Male or Futa characters.
    • Scat
    • Menstruation
    • Non-sexual torture
    • Filth and vomit
    • Feet (unless just washed)
    • Mutilation/Cutting Bits Off
    • Vampires/Werewolves/Zombies/Other undead creatures.
    • Pregnancy

    Hard Kinks
    Please note that these are all optional - unless specifically called for in the RP. If you want to include one or more, please say so.

    • Romance
    • Forbidden romance
    • Bondage
    • Blindfolds
    • Mummification
    • Water sports
    • Breast/nipple torture
    • Predicament Bondage
    • Orgasm control/denial
    • Control of bodily functions
    • Breath play
    • Pet/pony play
    • spanking
    • aftercare
    • Size Differences
    • Age differenced (over 18, obviously)
    • Furries/Anthros

    The above lists may get added to if I remember any others.

    Have a kink I've not listed? Ask me. Chances are, I might be into it!
  • Genres

    These are the genres I'm NOT into:
    • Undead characters, including but not limited to: Zombies, Vampires and Werewolves
    • Star Trek
    • Japanese Fandoms

    Pretty much any other genre, I'm up for.

    Pairings
    So here's the thing about "pairings": I don't do them. If you have an idea for a story that centres around a particular couple of character types, pitch me the story. Please don't try and sell me on Character A and Character B.

    I love story-based RP, and of course there have to be characters, but the story and setting determine who and what the characters are, not the other way around.

    That said, I do love a mismatched couple, be it age, size, weight, social class, upbringing, or whatever.

    Fandoms

    Basically, I don't do them. There are a few I can be persuaded to try, but they will be OCs only, unless you happen to pick my OTP.


This is very much a work in progress and subject to change without notice
 
Genius!
Genres: Romance, College/University, possible bullying, possible BDSM. Mismatched couple. Slow burn

Setting: Present Day, a university that is on a par with the Ivy League, MIT, Oxford UK and Cambridge UK. Can be anywhere in the world, can be fictional. Doesn't even have to be named.

Characters:
My character is an 18-year-old prodigy, with an IQ of 199.8 on the scale that goes from 1 to 200. On other scales, she has mapped out at 300 and 500. She already has two bachelor degrees in Pure Maths and Pure Physics, has just finished her Master's in Applied Physics and is waiting for the results, while already working on her Doctorate in Applied Astrophysics. So yeah, basically she's a
Rocket Scientist, in every meaning of the term. She is a total geek's geek and is at Uni on a full scholarship from NASA.

However, her interpersonal skills are zero. She is actually mildly autistic (something that often goes with high IQ) and has difficulty understanding people, or even recognising people, as faces often look the same to her. She has absolutely no idea what sex even is, but is not asexual, nor even aromantic. Demisexual is probably closest.

Your Character can basically be whoever you want, as long as she's reasonably pretty, and has a reason to be a freshman at a top-flight university. She is definitely lesbian, but may only now be coming out. Some suggestions:
• A jockette, there on a sports scholarship
• A Queen Bee, beautiful and popular
• A bully, looking for someone to do her assignments
• A "Princess" - cruising through on Daddy's (or Mummy's) money
• A foreign student, from an overseas royal family, (a literal Princess) incognito.
• A "Poor little rich girl", daddy has money, but she wants nothing to do with it.

Or anything else you think will work...

Story:
My character somehow gets paired up with yours. I would rather they weren't roommates, but maybe m/c has to do a non-academic subject like some sort of art class, or take a sport, to fulfil the university's requirements for her scholarship, so while she is working with post-grad students and research students in her actual subjects, in the one class/activity she has to join in with the other freshmen.

So the two have to work together, and get to know each other and romance blossoms (as unlikely as that may be). All the while, m/c is working on some secret project that has to do with her doctorate, but she refuses to discuss it with anyone except the head of the physics faculty.
 
The Monkey Trap
Genres: Slice Of Life, Forbidden Romance

Setting: Present Day, Anywhere.

Characters:
  • Character A is a married woman. She can be any age from 25 to 41. She's been married for at least 7 years, to a man she doesn't really love. He's a good enough husband, possibly a good father as well (optional), but she married him because she felt she had to.
  • Character B is an out lesbian. She could be someone that A has just met, or she could be an old school friend, and they haven't seen each other for ages. If the latter, we can work out the backstory before we start. But A has just realised she is in love with B.
Story:
Whether it is true or not is up for debate and the origins of the story vary widely, but it is said that an easy way to catch a monkey without harming it is to fasten a small pot, or a hollowed out coconut shell, to a tree. You make a small hole in the pot or shell, and in it, you place some food, usually grain or nut kernels.

According to the story, the monkey will smell the food and see it inside the shell, and will put its hand (or paw if you prefer) in to take hold of the food. But with its hand now closed into a fist inside the shell, it is now too big to fit through the hole. And so, (the story goes), the monkey is trapped. Not by anything physical, if it were to let go of the bait, it could pull its hand out and escape. The monkey is trapped by an idea, by the fact that it has got hold of some food, and it wants to keep hold of the food and eat it.

This idea can be applied to other, less physical examples. Like the idea that one must remain in a loveless marriage, "Because it's the right thing to do." "Because I made a vow...!" "For the sake of the children." What is so right about it, if it is making one or possibly two people miserable? What is a vow worth if it is based on a lie in the first place? And are children really better off living with two parents who don't love each other, that they would be getting to spend time with both parents and seeing them both happy?

Character A is caught in just such a monkey trap, holding on to her loveless marriage even though it is sucking out her soul. It is up to Character B to persuade her to let go and be free, before it is too late.

Notes:
Side characters will include A's husband, obviously. There can also be children, but they will not be involved in any sexual or violent scenes. They might witness the parents arguing, but that will not be specifically written.

Other side characters could be family and friends of both A and B.

I will play either character
 
To The Manor Born
Genres: Historical, Age Gap, Mother-in-law x Daughter-in-law, dub con, seduction, slow burn

Setting: England, in the 1850s or 1860s, a large country estate

Characters:
  • My Character is a Duchess, the lady of the manor. In her mid to late 40s, she is recently widowed. There are rumours that her late husband the Duke killed himself to avoid a scandal, but no-one ever mentions such to the widow, who is now Dowager Duchess.
  • Your character is the young wife of my character's son. He is now the Duke, so she is obviously now the Duchess. But the Young Duke has accepted a commission in the Army and is being sent off to fight in one of the many wars that sprang up like bush fires across the British Empire.
Story:
Y/C has to take over as The Duchess and Lady Of The Manor. Who better to teach her than my character? And of course the dowager will keep firm control over the estate that she has managed since marrying the Old Duke. As for the rumours, well m/c is fully aware of whether they're true, as indeed she is aware of the reason for her son's sudden departure only days after his
wedding.

She is never going to reveal the truth, though. Besides, she has her own private secrets to keep that could be just as much of a scandal. Fortunately, her maid servants are all totally loyal - those that are not part of said secret, that is. But the addition of a pretty young woman to the household in the shape of her daughter-in-law could well prove too much temptation.
 
Seduction on the Orient Express
Genres: Historical, Age Gap, Seduction, Loss of innocence

Setting: The mid to late 1920, Europe, specifically the Orient Express, heading from Paris to Vienna via Strasbourg and Munich. (Note - this is the original route and still runs as a scheduled overnight train from Strasbourg to Vienna)

Characters:
  • Character A is a young, innocent woman of 18, probably the daughter of nouveau riche parents. She is on her way to an exclusive finishing school in Vienna, where she will earn how to be "A Lady".
  • Character B is a Woman of the World, in her late 20s or early 30s. She is well travelled, speaks many languages, and is on her way to Vienna to take up a teaching post
  • Purely by the most random coincidence, both characters will have the same surname
Plot:
There has been a terrible mix-up. Remember that this is before computers and printers. Reservations were made by hand in a ledger, and tickets written out by hand and posted. So it wasn't really anyone's fault that character A and character B ended up both booked into the same compartment in one of the luxury sleeper cars for the overnight trip across Europe. Of course, by the time they realise this, it's too late to do anything about it.

The train is fully booked, and there are no empty berths available, and anyway the train is pulling out of the Gare De L'Est and doesn't stop again until it reaches Strasbourg.

Well, the two women agree that their only option is to share the compartment, and the conductor agrees to refund both their fares. The older woman then treats the younger to dinner in the restaurant car, and takes her back to their compartment...

Notes:
I will play either character. This is NOT the Venice Simplon Orient Express made infamous by Agatha Christie's novel. It is the more northerly original route through Southern Germany.
 
WORMHOLE
Genres: Science Fiction, Romance. Just a hint of paranormal

Setting: The not too distant future (or even the present), a secret laboratory somewhere that no-one would expect a secret laboratory to be located. I have a few ideas, but would love to read yours? The laboratory is jointly owned and staffed by NASA, the ESA, JAXA (ジャクサ) and Роскосмос. Note that this setting will, in about 300–500 years, become "The Galactic Empire".

Characters:
Character 1 is a scientist, physicist, nuclear particle physicist, astrophysicist, mathematician... Pick one or any combination or maybe all of them. She is working on the top secret Opisthopora programme, and is one of the top brains behind the project. She also objects to the name, which was suggested by someone from NASA security with a weird sense of humour.
Character 2 is someone utterly insignificant working in the secret lab. She has top level clearance because everyone who works there has top level clearance. She's probably an electrician, or the woman who brings the tea trolley round to the offices. But there is
something special about her. She has a weird way of always turning up when needed, always picking winners (though never at long odds, and usually once the race has started), and never looking before crossing a street.

I would prefer to play character 2, but I don't mind playing character 1, if it means the story gets written.

Story:
This is the story of the most influential and important discovery to mankind since, possibly, the wheel. It is the story of The Tangle Drive.

Character one and a group of scientists from around the globe have managed to isolate and generate the graviton. This is a wave/particle quantum event, similar to a photon, but while a photon is a quantum event of light, the graviton is (you guessed it) the quantum event of gravity. They have successfully avoided creating an artificial black hole and sucking us all in (which we would never know about because of time dilation), and have launched a satellite into orbit that fires a concentrated burst of the particle/waves out in the direction of Jupiter.

And Character 1's theory was proved right, they have successfully opened a hole in space, that appears to be heading in the general direction of Jupiter.

They don't know how far it goes, though, because so far every probe they have sent down it has disappeared, stopped transmitting, just ... vanished, a short way into the wormhole. They are on the verge of giving up, when Character 2 puts in an appearance and makes a suggestion: "Have you tried steering them?"
 
Savanna
Savannah.png
Genres: Historical, Action/Adventure, slice-of-life. Romance!

Setting: East Africa (probably Kenya or Tanganyika), some time between 1890 and 1914.

Characters:
• A journalist, artist, scientist, naturalist or anything else ending with -ist that would have been around at the time, on a visit to British East Africa, for the purposes of furthering their career. (I would prefer you to play this character).
• An experienced colonial woman, born and raised in the Savanna, hired by the whatever-ist as a guide and bodyguard. (I would prefer to play this character).

Story:

Your character is a Western woman. She can be from anywhere North of the 30°N line of latitude (And yes, I'm aware that excludes Florida and Texas. Those places are too close to the tropics to have the desired effect!) And she is, as already stated, something ending with -ist. Exactly what, is entirely your choice, but it must be something that gives her an excuse for heading to Africa by herself, to study, write, paint, collect, whatever.

Because she wants to feel things more in their natural state, she has declined to go on an organised safari, instead engaging the services of a single local guide. This is my character. Because it's just the two of them, she felt it would be less scandalous to engage a female guide rather than a male.

The story should start with m/c meeting y/c in Mombasa.

So, the two of them set off into the interior on horseback, with a couple of packhorses as well...

Of course m/c will save y/c from lions, crocodiles, snakes, and natives, and all the while learn to appreciate whatever it is that y/c is doing. And with Africa being such a romantic place, of course they fall in love under the Big Sky
 
Perfectly Normal
Genres: Romance, Slice Of Life, BDSM

Setting: Anywhere, Any when, but I think it would be interesting to set this semi-historically, that is in the 1950s to 1970s, when society wasn't quite so open and accepting.

Characters: Two perfectly ordinary young women, with perfectly ordinary jobs, share a perfectly normal flat/apartment in a perfectly normal town/city. And to therm, the fact that both of them are lesbians, and they share a bed at night, is also perfectly normal. Even the fact that one of them is dominant and the other submissive is, to the characters, perfectly normal.

Story:
So what I have a weird craving for is to tell the story of a couple "coming out" to their families over Christmas/New Year or Thanksgiving if in the USA, the idea of the Sub taking the lifestyle out of the bedroom, the Domme maybe being more of a "femme in the streets, butch in the sheets" kind of person, the reactions of co-workers, friends and family, some accepting, some less so...

It's a complex theme and will involve both of us taking on several side characters at once. I'm not even sure whether it will work as a RP. I think it might, or I wouldn't be posting it here.

I am happy to play either character. If interested, please let me know which you would rather play, what (English speaking) country you would like to set it in, and what decade.
 
1754593961362.png
Genre: Paranormal, Romance, Gambling, Crime, Slice-of-Life

Setting: Las Vegas, Nevada, USA

Characters:
  • Your character is a dealer/croupiers/security person in a small casino. She makes enough on tips to get by, because her pay is not as good as you might think. And she's fed up, and getting greedy.
  • My character is a young woman just turned 21, visiting "Sin City" for the first time. She's here with a friend/relative who is eloping. And she has a very unusual talent that she has, so far, managed to keep secret. She can see the future - usually just a few seconds, but sometimes if there's something particularly important on the horizon, she can see anything up to a day or two.
Story:

Well, this should be reasonably obvious. We have an unscrupulous dealer who wants to get rich quick, we have an innocent young woman who can see what will happen a few seconds ahead, and we have a lot of games of chance where if people make the right call they stand to win a lot of money.

What do you think will happen?

Well here's my idea: M/c wanders into y/c's casino, and starts playing various games, starts to win big. Y/c notices and takes an interest, trying to see how she's doing it. M/c realises she's attracting attention and suddenly looses most of what she won, keeping just enough to buy herself a meal.

Y/c doesn't lose interest, but instead contacts m/c and asks her how she did it. M/c is forced to reveal her secret, and y/c comes up with a plot to win big money and retire to the Cayman Islands (or somewhere similar).

Whether they get away with it, remains to be seen.

Notes:
I've tried to write this a few times. Sometimes the other person vanished, sometimes they took the story in a ridiculous direction. I'd like someone who is going to take this idea seriously. My character is not unique, but she is very rare. Paranormal talents are real, but the chances of two people with similar talents meeting are about the same as having a meteorite land at your feet. (Except, possibly, in Las Vegas, which is the sort of place such people might gravitate to...)

Your character is sceptical of m/c's talent at first.

Please, please, please, take the casino role seriously? Most dealers wear waistcoats or the female equivalent, not fancy Elizabethan outfits.

Y/c is perfectly normal and does not have any psychic powers.

Inspired By...
 
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Hiatus.jpeg
Genres:
Romance, Slow-Burn, Forbidden Romance. Semi-historical

Setting:
The 1980s, a small island somewhere in the North Atlantic. The island has a single town on it (if you can call it a town) that is the fishing port, and community centre. With the decline of the fishing industry, there is a lot of unemployment and rural depopulation as people head to the mainland looking for work.

Characters:
  • Character 1 is a visitor to the island. She is something of a Yuppie, wealthy by the standards of the day (pre lottery). She's suffered from burn-out in her high-pressure job and has taken a hiatus, getting about as far away from the city she works in as it is possible to get. She is openly gay but has had a string of failed relationships and unhappy break-ups. She is in her mid to late 20s.
  • Character 2 is a local. She is the daughter of a local important person, maybe the hotelier or inn-keeper, or the town mayor, or police chief, she could even be the daughter of the (protestant) priest. She is a closet lesbian. She knows she is interested in girls, not boys. She lives in a small and parochial community, where there are are about a hundred people scattered across the island in total and half of them over 50, and about half living in the one "town", so everyone knows everyone else's business. She has so far managed to keep her sexual orientation a secret, claiming none of the (very few) young men on the island are attractive to her (which is true). She is in her late teens or early 20s and has been looking for a way to get off the island since she learned that there was actually a world beyond the heaving grey sea.
Story:
The main romance story-line should be reasonably obvious: The two girls meet, fall in love, and live happily ever after. But there's a lot more to this than that. Character 1 is exhausted, tired of fucked-up relationships and not even thinking about a relationship. She just wants to relax and enjoy the scenery. Character 2 is shy and reserved and doesn't want t be "outed", having seen what happened to a boy a few years older. They should meet in the course of C2 performing some duty at the behest of her parent(s). C1 realises that C2 is as lonely as she is, and approaches C2's parent(s) to see if she can employ the girl on a casual basis as a guide and helper.

They soon become friends, but although love soon blossoms in both their hearts, neither is willing to admit it even to themselves. C1 will at some point have to go back to the city on the mainland, and doesn't want to get involved with someone just to break her heart, while C2 is more worried about the possibility of being disowned, cast out and forced to beg for food and live in one of the
caves, although she realises it's far more likely that she would be forcibly married to someone.

Things change when C1 learns what property prices are like on the island - basically for the price of her city apartment she could buy every house on the island and have some left over for furniture!

So she pays cash for a cottage and sets about doing it up as a holiday home.

When C1 moves out of the hotel, C2 is worried that she won't see C1 as often, but instead they spend more time together, The declaration of affection should be something accidental, some bit of good news causing them to hug, and kiss, just on the spur of the moment, whereupon they realise that they can't fight their feelings any more.

After this come the regrets and the repercussions, and the difficult decisions...

Notes:
  • I will play either character.
  • The island is somewhere in the middle of the Atlantic and has changed hands a number of times over the centuries. Exactly who owns it now depends upon who plays which character and the nationality of your character. I'm thinking it could be part of the UK, part of Canada or even part of Denmark or Iceland.
  • The picture above is of Castlebay on the Outer Hebridean island of Barra. This island is a lot closer to Scotland than my fictional island would be if it were part of Scotland, but the island of Boreray, in the St Kilda group, which is about the size and location I'm thinking of, is uninhabited. The Change Islands off Newfoundland, Canada, would work as they have a population of a little over 200.
  • Partly inspired by the movie "Local Hero".
 
Road Trip
Genre: Slice Of Life, Road Trip, Romance. First Person.

Setting: Present Day (with or without Covid), UK and Europe

Characters:
  • My character has just realised her dream of buying herself a brand new, 1215cc motorcycle, and is setting off on a road trip to "get away from it all".
  • Your character must be a hitchhiker, that m/c sees on the side of the road and offers a ride to.
Story:

The general idea is that y/c is hitchhiking around Europe. Starting in the UK. M/c sees y/c on the side of the road and stops to offer her a ride. M/c will have a spare helmet in her top box, for the simple reason that she has a spare open face helmet, as it's always advisable to have one with you on a long trip. The two of them get on really well and stay together as they journey around Europe.
With the obligatory sex scene happening at some point, the obligatory falling out and making up scene, and everything else that goes to make a great road-trip scenario.
 
Out Of This World
Genre: Science Fiction, Romance, "Road Trip" - Space-opera style, Rite of Passage, Self Discovery.

Setting: The Galactic Empire - or similar setting. Initially on a backwater agrarian colony planet, less than 50 years old, still looking to achieve "World" status, with a parochial and conservative population. After this the setting moves on to an interstellar cargo ship, and visits any number of worlds.
Characters:
  • Character A is a country girl, born on the colony world. She has the wanderlust. She knows that there is a lot more out there than this one small backwater of the galaxy that doesn't even have a T-Gate and is reliant on once weekly visits by various T-Ships.
  • Character B is either the captain of a T-Ship or a crew member. (For reasons I will explain if required she cannot be the T-pilot or T-Nav, but could be the RS-Pilot or Astrogator.)
Side Characters:
  • Character A's parents, Siblings and fiancé.
  • Character B's crew.
Story:
This is probably going to be fairly obvious, but I'll tell it anyway... Character A is longing to get away from home, find some way of getting off this backwater. Not only does she feel stifled by the drudgery of farm-work on this world that has reverted to a technology level somewhere like that of the 18th Century (with certain exceptions like plumbing, medicine, and lighting... TBC), but she is also totally unattracted to men, finds women to be very sexy, and knows that if she stays on-world she will be expected to marry and pop out babies at the rate of one every two (local) years. So she runs away from home. But on a world there the population can be numbered in tens of thousands across the whole planet, there's not exactly anywhere to hide...

Until she meets Character B.
 
The Quest
Genres: High Fantasy. McGuffin Hunt, Road Trip, Best Of Enemies

Setting:
A fantasy world in which Orcs and Elves have been enemies since the dawn of time. Orcs breed fast and mature quickly but die young, while elves breed and mature slowly, but baring accident, crime or war they do not die. Humans are allied to both sides, some seeing the Orcs as more down to earth and easy-going, while some humans side with the Elves, seeing them as the pinnacle of knowledge and civilisation. There are almost constant skirmishes and border clashes between the two sides, but there hasn't been a major all-out war for at least a week year.

This is an age however where there is a certain amount of chauvinism. To become a warrior, a young Orc must past three out of five tests, these being archery, swordsmanship, wolf riding, stealth and a quest. The fifth test is required unless all four of the other tests have been passed. However, for a female Orc to become a warrior, the fifth test is always required - but then it's rare for a female orc to pass all four of the others.

Probably worth noting that quests set for females wanting to become warriors are usually a lot harder that those for males, in order to persuade them to back out, settle down and have orclets.

Elves on the other hand are outwardly far more prone to sexual equality, as their army is largely composed of humans, and there is less incentive for a female elf to marry and have children as she will probably only have one child anyway, two at most, and that a century apart. The Officer corps of the Elven army is pretty much two thirds male elves and one third female, which is the gender balance of the species anyway. But in Elven society, discrimination works in academia rather than the military. A female elf is likely to be marked much harder on her exams, have her theses rejected or worse, laughed out of court.

History:
There is a legend of an ancient lost city far to the East, where, the legend has it, Orcs and Elves were once one people. Expeditions have been sent to look for this lost city, but so far, none has returned.

Characters:
  • The Elf: 75 years old (which is the equivalent of 25 for an Elf). She is intelligent, fast, has a good understanding of Elven magic, although she is a long way from becoming a mage.
  • The Orc: 18 years old (which is the equivalent of 24 for an Orc). She is strong, skilled at every art of war and has passed the four tests
Story:
The Elf has presented as her thesis a reworking of the legend of the lost city, claiming that some outside event cause the rift between Orc and Elf, and if the cause could be undone, ten thousand years of fighting could be stopped. When her thesis is rejected, she determines to go on the perilous journey herself to the Lost City, in order to find some proof and force the high council to pass her.

The Orc has passed ever one of the tests and is now to face her quest. She is dismayed when she is told that she must travel to the lost elven city and bring back some proof that she did. There will be no shame in refusing or turning back, but she would then be forced to marry and pop out at least two orclets a year.

The two of them meet up on the journey, try avoiding each other, fail to do so as they are heading to the same place, and eventually realise that in order to have any hope of survival, let alone succeeding, they must learn to work together.

It will transpire that in order for the curse to be broken, it must be done by a female orc and a female elf working together...

Notes:
I will play either character but I do have a slight preference to play the Orc.
 
Need me.
Genres: romance, supernatural, (horror).

Setting: present day anywhere

Characters:
Character A is a very successful and ruthless businesswoman who has sold her soul, quite literally, to the devil. She has signed a contract in her own blood that is kept in her safe.
Character B is an angel in disguise - an angel of mercy, a human soul sent back to earth in order to redeem some wrong she did. Basically, she lived a Good life but doesn't qualify for heaven as she messed-up big time just once.

Story:
A is going to hell, in spite of being a Basically decent person, because she made a deal with the devil. Her contract forces her to behave in ways that deep down she regrets.

There is a clause in the contract that if she carries out a truly selfless act of love that the contract will be null and void, and so she keeps trying to be a better person, donating to charity, helping the homeless, etc.

B is tasked with buying back A's soul.

Note that because A knows about the clause, any act of charity she does, no matter how generous, always has the ulterior motive of breaking the contract and is thus never truly selfless.

If you are interested in writing this with me but want to know how it ends in advance, PM me.

The idea was sort-of inspired by this song:
 
Running The Country
UK Variant
Genres: Romance, Politics, Forbidden Love

Setting: The UK shortly after the next (or next but one or...) general election.

Characters:
  • My character is The Right Honourable Ms Charlotte Western MP, Member for Ilfracomb, leader of the Liberal Democratic Party and recently elected by a miraculous landslide into Number 10 Downing Street.
  • Your Characteris one of four things:
    1. She can be a newly elected back bencher who gets chosen as Personal Parliamentary Secretary to the Prime minister
    2. She can be a junior civil servant (or possibly a subcontracted cleaner, whatever) working at Number 10, or at Checkers
    3. She can be a junior attaché at a foreign embassy in London.
    4. she can be a random person, possibly a foreign student, who accidentally finds herself swept up in the security cordon and has absolutely no idea what is going on.
Story:
This rather depends on your character, but one way or another the two meet, fall in love and ultimately get married. With 1 and 2 obviously y/c will know who m/c is, but with 3 and 4, she doesn't necessarily need to know.

Notes:
  • For options 1 and 2 you may need to have a decent idea of how the British government works. For options 3 and 4, you probably don't, but will need some knowledge of how things work over here in general. For 3, you may need to research how your country's London Embassy works.
  • Your character will need to have a thing for older women
=============================================================================
Running The Country
US Variant

Genres: Romance, Politics, Forbidden Love

Setting: The USA shortly after the next (or next but one or...) presidential election.

Characters:
  • Your character is the newly inaugurated first ever female president of the USA. Pretty obviously she'll be a Democrat. She's also the first gay president!
  • My Character is a junior attaché to the British Ambassador to the United States of America.
  • (None of the other options would work, because I'm British).
Story:
Some sort of political crisis brings the British Ambassador to the White House at a ridiculous time in the morning (a normal time back in Britain but he's in Washington DC, 5 hours behind). The only aid he could find was a junior on the night staff (m/c). She's a bit of a klutz, and while running an errand bumps into a really charming and attractive older lady. (y/c). M/c doesn't watch the news
and has no idea who y/c is...
 
The Landlady
Genres: Slice Of Life, BDSM, Dubious Consent, Age difference, size difference, role reversal, Public humiliation. Possibly Furry/Anthro.

Setting: Present day, a small "University Approved Accommodation" boarding house, not far from a major university.

Characters:
  • Character A is the landlady of the boarding house. She's small, dumpy and probably in her late 40s or early 50s. She never married and insists on being called "Miss (Surname TBD)" by her tenants. (I would prefer to play this character)
  • Character B is a freshman student at the boarding house, 18–19 years old, she is tall, fit and muscular, and she is also quite naive. (Your character unless you really want to play the landlady)

Side Characters: Other student tenants, and their guests.

Story:
For some reason, Character B is unable to pay her rent. Maybe she was robbed, maybe she blew it all on eating out and buying stuff, or maybe she had some sort of accident and had to pay for repairs - possibly repairs to the student's kitchen in the boarding house?

Anyway, the landlady is far too nice a person to throw a tenant out onto the streets with no money and nowhere to live. So she makes an arrangement. Character B will become her live-in sex slave for the remainder of the school year. In return, she will stay rent-free and have breakfast and dinner provided, and will also have unlimited access to the landlady's private rooms, normally out of bounds to tenants.

The student agrees, reluctantly, as she doesn't have much choice.

Notes: If you want to play the student, I will need to know your hard offs and soft offs before we start.
 
"Said The Spider To The Fly"

Genres: Dark/Horror, Interspecies, Fantasy (or Modern Fantasy), Bondage, Oviposition, Dubious Consent. NB There will be strictly NO vore.

Setting: A fantasy world where mythical creatures exist

Characters:
  • Character A, My character, is a Drider/Drow shape-shifter. She is 100% lesbian, and actually prefers to eat "normal" food in her Drow form. As she has never been with a male drider her eggs are infertile and will not hatch, but she does enjoy laying them in the orifices of other female creatures.
  • Character B, Your character, is a fairy of the traditional winged variety. She will probably appear to be innocent at first, but after a while, the drider begins to suspect that this is what she wanted all along.
Story:
As you may have guessed, the drider entraps the fairy in her web and does unspeakable things to her before releasing her, much to the fairy's surprise, as she was expecting to be eaten. The next day, the fairy stops by again...

Alternate story: - I actually prefer this version...
Set in the Modern (if alternate) world, the Drow and the Fairy both have the ability to appear human, and they actually know each other, possibly being class-mates or even lab partners at University. (This can be a perfectly ordinary university for perfectly ordinary people). Maybe they each know that the other is a mythic, maybe they don't, but discover it by accident. But y/c doesn't know that m/c is a drider, she thinks she's a normal drow, until she finds her in Drider form by accident.

If we go with this option, I will probably use Kylie Jenner as my face claim for her human disguise
 
Madam President
Genre: Science Fiction, Bondage, Action/adventure, Inter-species human/alien, Prison, Two Main Characters Each.

Setting: The Galactic Empire, a recently (5-10 years) colonised planet looking to attain "World" status within the empire (it must have a permanent population and be either self-sustaining, or produce a balance of exports that offset it's imports). At present, the colony is managed by a governor, appointed by the board of directors of the company that is financing the colony.

However, the colony is on the verge of showing a net profit (after repaying the investors), and will be applying to the Empire for World status as soon as the financial accounting period ends. To this end, elections have already been held, and the governor was elected president.

Characters:
President Elect Amelda Vost:
This is my main character. She is in her late 40s but looks a lot younger by 21st century standards. She is a consummate politician, and is very popular with around 85% of the colony's population, despite being something of a sadistic dictator. She is devious, scheming and quite ruthless. Her greatest fear is that the Empire should see her fail and move in to take her World away from her. (Domme)
Frrita Vadvrroot: My second character is a Mrinka - basically an anthropomorphic feline alien. Frrita has been imprisoned by the planetary peacekeepers for committing a crime she did not think was a crime. She is in contact with a group that aims to overthrow the governor and install their own leader as president (can be domme or sub)
The Geeky Scientist: This will be your main character. She is what amounts to the planet's "science minister" or "Secretary of Science", but until Amelda is officially confirmed as President - which won't happen until they gain "World" status - the planet doesn't have an official government. So your character A is at present merely the "Chief Scientific Advisor" to the colony's Governor (who happens to be Amelda). (Submissive)
The Beefcake: Your second character, she is the first one's sister. Nowhere near as bright as her sis, what she lacks in brains she makes up for with brawn. She is a bit over-protective of her sister and this has occasionally resulted in her getting into trouble. (can be sub or domme)

Story:
Vost is aware that there is sedition brewing in parts of her world (and she does think of it as hers). She isn't exactly the most benevolent ruler, in fact she's something of a dictator, and it's quite likely that if the rebels did gain power they would be a much nicer government. Technically, they are the "good guys". The problem is that until world status is achieved, the planet is owned by the corporate backers, and any attempt to depose her will result in punitive force by said company.

However, once the World is recognised by the Empire, any "constitutional" change of government will be ignored. For Vost, this would not be a problem, as she has the majority of the electorate in her back pocket. What would be a problem is if the rebels tried to overthrow her with violence. Even if they lost, The Empire might regard a violent uprising on a colony planet as a threat to its own internal security - what would the consequences be if it were to happen on more colony worlds? - and send in the troops to "restore order". The Empire is a hard and ruthless master once awakened, and it is far better not to draw its eye.

Vost also has her eye on her Scientific Advisor, as a consort, or even a wife. And then there is the beefy but dumb sister. And Vost cooks up a plan to infiltrate the rebels with someone she can trust absolutely.

The beefy sister is set up and framed for a serious crime that she probably thinks is a total injustice - she was just protecting her sister, after all. She's sent to the planet's prison, convicted without trial on the basis of video surveillance. And put in the same cell as Frrita Vadvrroot
 
La Vida Loca.jpeg

Genres:
Action/Adventure, Road Trip, Crime, Dubious Consent, Optional supernatural twist.

Setting: Present Day USA or anywhere with plenty of open roads.

Characters:
  • Character Z is a young (i.e. under 30) heteronormative woman. She's probably an accountant or an insurance clerk or a bank teller, or even a store clerk. Some job where she doesn't really do much that's exciting. She could even be married, if you want, to some boring husband, who doesn't want children. And she dreams of going off on a wild adventure, just dropping everything and vanishing. She should be pretty, but dowdy, at least at the start. This is your character, unless you can persuade me otherwise.
  • Character X is an heiress with more money than she knows what to do with. She is wild, passionate, carefree, and extravagant. She is living as a playgirl, moving from place to place, taking risks, breaking laws, paying bribes and fines. And of course, she's a lesbian. This is my character unless you can be very convincing as to why not.

Story: This should be fairly obvious, but I'll give a quick summary.

X meets Z somewhere, maybe Z is in a bar, bemoaning her fate to the bartender when X walks in having parked the Lamborghini illegally outside. Maybe it is where Z works, and Z expresses her envy to her co-workers. The exact scene and setting we can work out. But whatever the circumstances, X hears Z, and decides to challenge her. "Do it then. Come with me, right now. Once
in a life-time offer..."

Z does. She goes with X and gets into the Lambo with her and off they go...

Notes:
I've used X and Z for a reason. "X" denotes the unknown, the mysterious. "Z" is the last letter, denoting the least, the bottom.

The Lambo could be a Ferrari or a Maserati, or any other muscle-car costing more than the combined annual income of the average middle class couple.

Optionally, m/c could be a demoness.

Inspired by:
 
The Campus Doctor
Genre: Watersports, University, Medical, Dubious Consent, BDSM.

Characters:
  • The campus doctor, at a college for young ladies that prides itself on its academic and sporting reputation. (My character)
  • A random student at the college. (Your character) Please note that this character does not have to be in any way attractive!
Story:
My character, the doctor, has just this year been appointed to the college, and she is a very good doctor, and is getting well paid, and because this is a privately funded college for 18 to 23-year-old young ladies, she has an almost unlimited budget.

Your character, the student, can be anyone you like as long as she meets the school's requirements - and the requirements for the game. Basically she has to be between 18 and 23 (Personally I'd prefer a freshman, but that's not essential) and the daughter of a family with some money. Those are the "in-game" requirements. OOC requirements are that she has no knowledge of anything medical.

So, the doc has settled in to her University provided Cottage, has set up her clinic on campus and has probably treated a few cases of minor ailments. And then the first sporting event of the year is held. And the doc, knowing about this in advance, has prepared a little treat for herself, because getting a job at a girls' college is her dream job, and she is something of a secret pervert...

At the sporting event, every student is expected to compete or steward, or marshal, or hand out reusable plastic bottles with an isotonic sports drink in them. The drink is bought by the college as a powder, to which they add tap water. The mix is supervised by the doc, to make sure every bottle is filled correctly. But one random bottle, and once the bottles are being distributed, not even the
doctor will know which one it is, she has added a very powerful diuretic to.

Your character is the girl who is unlucky enough to be handed this random bottle that contains the drug. It will take a few hours to start working, after which the young lady will feel an irresistible urge to pee, coupled with an almost insatiable thirst. The problem is that neither feeling goes away and in fact the more she drinks, the more she needs to pee. So, obviously, she needs to see the doc.

Of course the doctor is waiting for someone to arrive in her surgery complaining of these exact symptoms.

Important note on content:
This story is all about a medical professional abusing her position, and taking advantage of an innocent young woman. The content will include all aspects of urine-play, including catheterisation, diapers/nappies, wetting, and pee drinking.

If any of these things put you off, please don't ask about this particular story! "Toning it down" by removing elements of the watersports play would defeat the object of the story.
 
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