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Content Warning
  1. Gore
  2. Incest
  3. Substance Abuse
  4. Narrative Bigotry
  5. Sensitive Topics
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WELCOME !

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This is the π–Žπ–“π–™π–Šπ–—π–‰π–Žπ–’π–Šπ–“π–˜π–Žπ–”π–“π–†π–‘ π–†π–—π–ˆπ–π–Žπ–›π–Šπ–˜, a place where I archive info-dumps about my multi-fandom OCs.
This thread will be full of lengthy character sheets, although for now it will be a ghost town.


OC LIST

Fandoms for ocs are as follows:
  • Avatar film series (David Cameron)​
  • Harry Potter (eff jkr)​
  • House of the Dragon (book & tv series)​
  • How To Train Your Dragon (films)​
  • My Hero Academia (anime)​
  • My Little Pony (tv series)​
  • The Hobbit (films)​
  • The Lord of the Rings (film trilogy)​
  • The Selection series (book series)​

Non-fandom periods and themes for my ocs are as follows:
 
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ÍDE O'RINN,
the Seamstress


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CONTAINS
I.
Basics
II. Psychological
III. Visage
IV. Relationships
V. Miscellaneous
VI. Dynamic ideas


BASICS
Full name : Íde Aileen O’Rinn

Aliases :

  • Pet (by great-aunt)
  • Ms O’Rinn (by elderly customers)
  • Mrs Moran’s girl (by locals)
  • Brighid’s daughter (by locals)

Date of birth : 17th June 2001

Place of birth : Kilfinane town, County Limerick, the Republic of Ireland

Age :

  • 20 (2020) – when I first made her
  • 26 (2026) – current day
Gender : Cis female

Sexuality : Bisexual

Ethnicity : Indigenous Irish (Irish traveller) paternally, and Irish with distant Scottish ancestry maternally

Nationality : Irish and USA citizen

Education : Home-schooled in primary school, public-schooled in secondary school, and a two-year college degree in fashion design.

Occupation : Shopkeeper and seamstress – Íde works as a shopkeeper and seamstress in her Great-aunt Brighid Moran’s little haberdashery and styling services shop called Buttons and Bobbins.

Residence : Íde also lives in Buttons & Bobbins, in St. John’s, Newfoundland, with her great-aunt. The building is a narrow yet tall thing, tucked away down a well-lit alley (thanks to Christmas lights the neighbours keep on all year), and some pass the haberdashery without knowing, not seeing the little painted sigh on the high street.


Old Cellar (underground): Aunt Brighid has long had her bedroom in the old cellar. She has the fridge in her bedroom, thanks to the absurdity of this building's layout, and that's a bonus in her opinion.

Ground floor: A labyrinth of shelves full of second-hand fabrics repurposed from reused clothes unable to be taken into charity shops, and unique, Íde-made clothes from thrifted clothes and ribbons, buttons, needles, bobbins, etc. Tucked away here, behind a little locked door, is the kitchen-come-living-room, with its own little window looking out into a small back garden of Aunt Brighid's cheeky garden gnomes and Íde's struggling little tomato patch.

First floor: The labyrinth of shelves continues up a curving, wooden staircase and into a tighter room that has a lockable door to its entrance. Once the door opens, two fitting cubicles meet your eyes, along with a little dais (for customers getting fitted or measured for clothes) with three full length mirrors of different fashions blocking the window's view. A little desk and chair are tucked to the side, along with a rail of half-made clothes behind it. A folder of dimension notes, nagging ideas, and shopping lists sits on the desk, along with a chugging sewing machine and a pair of glasses. It's here that the customers can request a garment, have Íde take their dimensions, and, after a fortnight or two, have a fitting before taking the garment.


Second floor: It seems that the higher you go, the more crazed the layout of the shop gets. It seemed so reserved and neat on the outside. Here, the level stretches out backwards in the direction of the cramped back garden, making the single room of the second floor an extra foot in length. This extra space also allows it to have a nook to place a customer's toilet and washbasin. It's here that sewing machines are stored to be sold, and other purchases that are more expensive than the items sold on the ground floor.

Third floor (Attic): The most cramped of the levels despite only being one room – with its lower ceiling and a wall of boxes along the north and south side of the room, around Íde's personal belongings. It used to simply be a storage room – used for items her aunt hasn't gotten around to sell, old belongings, and past regrets – until Íde came along. The attic is a simple bedroom-come-storage room now, with an old, thin wardrobe, a creaking, metal-framed bed with a patchwork quilt, a little bookshelf nailed to the far wall, and a chest of drawers all jumbled amongst the clutter of sealed and labelled boxes. The attic isn't terrible conditions in winter, only in summer, when the heat rises from the bottom of the building to it's very top, and Íde has to relocate for that season to sleeping on the camp bed on the kitchen's floor.


PSYCHOLOGICAL
Personality : Íde is a striking mix of poise, wit, and gentle strength. She carries herself with a forced elegance that seems effortless to unassuming eyes, yet her mind is always planning.

To strangers Íde appears reserved or even aloof thanks to her serious demeanour, lengthy vocabulary, and carefully measured words. However, those who spend time with her will eventually discover that she is someone with a deep sense of empathy with a lack of knowing how to outwardly express it to those who are not used to her ways. Íde tends to keep her own struggles private, aiming to handle problems by herself rather than burden others.

She sees beauty in the overlooked. From scraps of fabric that she turns into something exquisite, to the house spider living in the attic that she collects flies for.

Likes : Fashion design, make-up, playing solitare on her phone, reading historical detective fiction, β€œcreepy-crawlies”, collecting knick-knacks, and trying to out-nice her petty neighbour (the same ones with the year-long Christmas lights)

Dislikes : Liars, fake smiles, being late to anything, flower bouquets (β€œWhy not gift a potted flower?”), neon colours, and babies (she does not know how to relate to them)

Hobbies : The Rearing 20s and it’s fashion history (obvs), scrapbooking, reading, basketball, and building her antique broach collection.

Skills : She has moderate first aid knowledge (due to her job benefitting from that skill), is fluent in Irish sign language and is learning American sign language (began from her father being deaf), has good deductive skills from her love of reading detective fiction, clothes making, and identifying birds (a skill passed down from her father).



VISAGE
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Appearance : Íde has a tall, slim build and yet also carries a wiry strength to her, standing at 6’2” (6’4” in her 20's heels). Her skin is pale with a cool undertone. She wears a dark brown wig styled in a short, 1920s finger-waved bob to match her antique aesthetic. She is meticulous about keeping her wig perfect. It’s more costly than her entire hand-made wardrobe and thrifted accessories.

Her face is androgynous, with an aquiline nose. Her eyes are deep-set and a cold grey-blue. Underneath her wig she has her patchy hair from her alopecia areata, which she keeps short for practicality and cleanliness. Her teeth are sharp and crooked – not enough to cause a speech impediment, but enough to make Íde grow up self-conscious.

Íde has her earlobes pierced and has a half-finished, faded stick and poke tattoo from her 18th birthday as a tramp stamp. She has three woodcut tattoos, all from her years spent living in St. John's.


Tattoos :
Her first tattoo is of intertwined snowdrops. It is on the inside of her upper forearm, facing her. Snowdrops was her mother's favourite flower.
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A significant quote from Macbeth, split into "fair is foul" and "foul is fair" curved on top and below her right knee.
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A jackdaw on a branch on her left upper arm. She got it simply for aesthetics.
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Style : Íde’s wardrobe is rooted in 1920s-inspired silhouettes – with clean lines, dropped waists, and muted colour palettes (mainly blues and creams). She leans toward practicality and always tailors them with her own hands. Her favourite hat is her blue cloche hat, fitted with a thrifted butterfly brooch on special occasions.

When in the comfort of her own home and with no one seeing her but her aunt, Íde doesn’t wear her wig but (if it’s cold, which it often is in their home) a beanie.



RELATIONSHIPS
Mother – Eithne O’Rinn, nee Prendergast : Íde’s mother passed away when Íde was just three years old, leaving behind little more than a few belongings and a single photograph β€” the one Íde keeps blue-tacked to her bedroom wall. The photograph is worn and curling at the edges, but to Íde, it is one of her most precious possessions. Eithne is smiling in the picture, her hair pinned back with a scarf. Íde has memorized every detail in the photo.

Father – Ciar O’Rinn : Ciar was born deaf and although life was not always easy, he made himself a grounding presence for Íde. His hands were rarely still. He had an artist’s soul and a deep appreciation for the beauty of everyday life, even if his own work rarely left the walls of their small home. His death left Íde with a hollow ache she still carries.


(Paternal) Great-Aunt – Brighid Moran : Aunt Brighid is a woman of iron resilience and quiet tenderness who took Íde in after her father’s death. Although she’s well into her nineties and her health is beginning to falter, Brighid still carries herself proudly and with a no-nonsense outlook. She's the head of Buttons and Bobbins despite what others may think when they see the pair Brighid and her great-niece make. Íde will not do anything about the haberdashery without asking of Brighid's opinion out of respect – even though Agatha has told Íde time and time again to "do it if it's necessary".

Íde worries constantly about Brighid’s health. Anxiety can suddenly gnaw at her while she is away doing the weekly shop or attending her basketball club. To Íde, Brighid represents a safe solidness – and losing her would feel like losing her entire past.



BACKSTORY
Íde O'Rinn was unintentionally born in a traditional Irish traveller’s caravan in 2001 to her parents Eithne (nee Prendergast) and Ciar O’Rinn. Eithne, a primary school teacher, came from Kenmare and had gone against her strict family’s wishes to marry the man of her dreams – Ciar, a partially deaf, self-identifying β€œadventurer” who had promised β€œall the world [he could] give” to her. Despite this promise, however, Eithne passed away from the effects of lymphoma when Íde was three and Eithne was twenty-seven and Ciar twenty-six.

Although life was not always easy with one parent, Ciar made himself a grounding presence for Íde as she grew up. He had an artist’s soul and a deep appreciation for the beauty of everyday life, even if his personal paintings of nature rarely left the walls of their caravan home. He was patient and kind, with a dry sense of humour. Growing up as the only hearing person in their tiny family, Íde was his translator from a young age – often the cute, little haggler between her father and the farmer Ciar wanted to buy horse feed from.

Íde's early years were filled with daily home-schooling with her father as they slowly rode through Ireland's rural landscape in their bright, horse-pulled caravan. It wasn't a lot in monetary value, but it was home. Íde wouldn't have wanted anything else, even with the tribulations she had growing up and the prejudice that came with it.

When it came for Íde to begin secondary school, Ciar decided that moving to Dingle was best. Someplace stationary. There, Ciar was promised a weekly wage from a small, family-owned farm called Setting Sun Orchard if he worked as a farmhand. It offered a secure and better paying job, and he decided – after visiting the local secondary school with her β€” that it was the perfect fit for Íde.

The tiny family planned to only stay pitched up in Setting Sun Orchard until Íde left secondary, however, after she visited the local college, the two of them went on to continue to live on the farm during Íde's two year college degree in fashion design. It was during her years of college that she found her specific passion for wearing 1920's clothing.

The month after Christmas, months before Íde finished her college degree, Ciar suffered sepsis shock while working on the farm. It was misdiagnosed by the ambulance service as being the common cold. He passed away in hospital after being rushed in too late.

Ciar’s dream was always to leave behind something beautiful – a painting that might outlive him – but when he passed away from sepsis, a teenage Íde buried him with his favourite painting, dishonouring his wish to be remembered through his art. His grave lies beside Eithne’s in a quiet field of Kenmare, marked by a simple gravestone between them and a patch of wildflowers their daughter planted . . .



MISCELLANEOUS
Favourite animal : Atlantic puffin

Favourite colour : Sky blue

Favourite food : Any hearty food that reminds her of pub grub

Trivia :

  • Íde has to write lists for everything due to how chaotic her work-life is.
  • She jokingly calls herself a lady while her sharp manners aren't far from it.
  • Growing up, Íde dreamt of becoming a fashion designer with her own brand. Now she simply wants her remaining family to stay safe.
  • Agatha Christie is Íde's favourite author, thanks to her 66 novels being set in her beloved roaring 1920's that are within the mystery genre.
  • She has a mild strawberries allergy (hives and mild swelling if ingested – uncomfortable but not life-threatening if treated quickly).


DYNAMIC IDEAS
  • Skint shopkeeper x milionare / celebrity​
  • Cinderella x Prince(ss) Charing AU​
 
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