[Welcome to my Request Thread!]
About Me:Howdy y'all! My name is Andromeda/Andro/Andy, or whatever suits. I'm a big lover of videogames, history, drawing, and most things in between. And a welcome to my new thread-- I am making a tentative return after a hiatus. I'm hoping to get a new story or two going to try to impassion me again! I've been roleplaying since I was ten years old with warrior cats on minecraft (major cringe, i know)... thus, i'm pretty experienced and have seen it all, the good and the bad.
Things to Know:
◈ Exclusively FxF—I also always roleplay with people who are female/nonbinary IRL.
◈ I write multipara-Novella. Good Grammar, third person, past tense. My minimum/normal post amount is 500 words, 1000+ for heavy description/transition/etc scenes.
◈ My responses typically come once a day to once a week depending upon muse. Typically, if my partner is a quick responder, I may mirror to be fast as well. Sometimes shit happens and I'll disappear, but I'll try to give a heads-up.
◈ I enjoy darker themes; high violence tolerance, tough topics connoisseur—TASTEFULLY done. I want to explore complex minds, not fetishize Richard Ramirez. Similarly, if you chose a plot with gore, expect to tolerate gore.
◈ I'm fine with being ghosted. I get that it's really feckin awkward to contact someone and let them know you're not into anymore. I'm always available to start a new story instead if we can agree on a new plotline, it doesn't bother me at all. If a story has been dead for a few months w/out communicating, I will auto-assume the story is dead and will put it back up as available.
◈ I'm not the biggest fan of character images/sheets and prefer written ones, but if my partner wants one, I'm totally down. I just politely ask it to be more barebones so we can 'discover' each other's characters.
◈ I'm a big fan of OOC, whether it's talking about the characters, joking around, or sharing shitty life anecdotes. Not a requirement, but preferred. I can be funny sometimes, I swear. Don't get me started on history or I will never shut the fuck up.
◈ I love, love a good, well-developed story. I like overarching themes, villains to go against. Conflict and resolution. I love characters who are imperfect and 3D, not shallow. This will always take precedence; around 20/80 smut-to-plot ratio. Please don't try to force it without any story/character development and let it create organically.
◈ No AI will be tolerated around here. Don't write to me with AI, and don't show me AI art. That is just terribly insulting after 20+ years of doing art and 10+ years of writing. I will simply blow you up with my mind
◈ Please keep in mind that I'm allowed to ignore you if you choose not to respect any of my boundaries/requirements. I took time to write this here for a reason.
◈ On another note, please respect that we are friends at most. I am in a relationship. Don't try to make it go any farther and make the dynamic between us weird.
The Plottening:
I am laid back and nothing is set in stone. You can 100% negotiate with me on changing up the plots and adding your own ideas to it!
If you want to bring up your own ideas because you believe they match up with my likes, that is welcome—but you must come with an idea instead of plopping down a pairing and expecting me to make a whole universe out of it. I'm always down for world building, but don't expect me to put in 100% of the effort.
I also only do story-driven plots, please don't contact me about solely fulfilling your fetishes. I am obligated to ignore these types of messages, sorry not sorry.
Limits
No rape. No Incest.
This can be part of your character's backstory or a plot point, but it is not something I want glorified. This is nonnegotiable.
This can be part of your character's backstory or a plot point, but it is not something I want glorified. This is nonnegotiable.
◈Consider me vanilla by '26 standards. I like my romance and my passion. I typically play into the more dominant role, but perfectly capable of switchin and subbin.
◈Light Possessiveness/Jealousy. Nothing overtly toxic, unless the plot deliberately centers around a toxic relationship
◈Strap-on (typically giving, but can take)
◈Bushes™
◈Oral, Finger (Giving & Receiving)
◈Scissoring
◈Tantric, from sweet to rough
◈Biting, scratching, hair-pulling
◈Heavy make-outs. Desperate
◈Dirty-talk
◈Realistic Proportions, realistic bodies.
◈Not sure? Just ask!
◈Light Possessiveness/Jealousy. Nothing overtly toxic, unless the plot deliberately centers around a toxic relationship
◈Strap-on (typically giving, but can take)
◈Bushes™
◈Oral, Finger (Giving & Receiving)
◈Scissoring
◈Tantric, from sweet to rough
◈Biting, scratching, hair-pulling
◈Heavy make-outs. Desperate
◈Dirty-talk
◈Realistic Proportions, realistic bodies.
◈Not sure? Just ask!
◈Rape
◈Incest
◈Bathroom
◈Feet
◈Ageplay/Regression
◈Anything that makes a character seem under 18 or babyish. I will vom on you
◈Gore on a sexual level
◈Harems and threesomes.
◈Not big on affairs... unless we cheating on the husband for our true love lololo
◈Strictly porn rps. What's spice without a little sugar?
◈Incest
◈Bathroom
◈Feet
◈Ageplay/Regression
◈Anything that makes a character seem under 18 or babyish. I will vom on you
◈Gore on a sexual level
◈Harems and threesomes.
◈Not big on affairs... unless we cheating on the husband for our true love lololo
◈Strictly porn rps. What's spice without a little sugar?
Historical Plots(you wont believe what i majored in)
Blood Money
Subgenre: Crime Drama, Mafia, Psychological Thriller, Slow-burn and political corruption
Setting: Russia during the chaotic “Wild 90s” following the collapse of the Soviet Union– an era defined by collapsing institutions, violent privatization, organized crime, political corruption, assassinations, and meteoric rise of the oligarch class. Fortunes are built overnight through oil, metal, banking, arms deals, political connections– all while contract killings and gang wars become common among the country’s new elite.
MC: A long-time, loyal fixer and hitwoman employed by the Oligarch. Quiet, efficient, and notoriously difficult to read (and notoriously awkward as shit), MC has spent years carrying out intimidating, collection, and hitjobs on behalf of the oligarch and his associates. She rarely involves herself emotionally in her work and keeps strict boundaries between business and personal life.
YC: The isolated wife of a powerful oligarch. To the public, she lives a life of impossible luxury– designer clothing, elite parties, and endless wealth. Behind closed doors, however, her marriage is deeply controlling and abusive, with her idiot husband treating her more like a possession than a partner.
Plot: From the outside, YC’s life appears perfect. The wife of one of the country’s rising oligarchs, she lives quite the luxurious wife– but in reality, her marriage is suffocating. Her husband is paranoid, possessive, cruel, and increasingly unstable as rival business circle around his growing empire.
Though MC has worked for the oligarch for years, she and YC have barely interacted beyond passing glances at parties, brief acknowledgments in hallways, or the occasional minute exchange. That begins to change when the oligarch receives a threatening letter from a rival businessman threatening to expose a scandal capable of destroying him politically and financially: a pregnant prostitute claiming the oligarch husband fathered her child. Terrified of blackmail, humiliation, and vulnerability during an already volatile power struggle, it needs to be handled.
As the investigation consumes more of MC’s time, the distance she carefully maintained between herself and the oligarch’s personal life begins to erode. Eventually, the lines between protection, loyalty, survival, and desire blur completely, leading the two women toward an inevitable conclusion: if either of them wants freedom, the oligarch and his empire has to burn. AKA, let's kill the oligarch and take his shit.
Subgenre: Crime Drama, Mafia, Psychological Thriller, Slow-burn and political corruption
Setting: Russia during the chaotic “Wild 90s” following the collapse of the Soviet Union– an era defined by collapsing institutions, violent privatization, organized crime, political corruption, assassinations, and meteoric rise of the oligarch class. Fortunes are built overnight through oil, metal, banking, arms deals, political connections– all while contract killings and gang wars become common among the country’s new elite.
MC: A long-time, loyal fixer and hitwoman employed by the Oligarch. Quiet, efficient, and notoriously difficult to read (and notoriously awkward as shit), MC has spent years carrying out intimidating, collection, and hitjobs on behalf of the oligarch and his associates. She rarely involves herself emotionally in her work and keeps strict boundaries between business and personal life.
YC: The isolated wife of a powerful oligarch. To the public, she lives a life of impossible luxury– designer clothing, elite parties, and endless wealth. Behind closed doors, however, her marriage is deeply controlling and abusive, with her idiot husband treating her more like a possession than a partner.
Plot: From the outside, YC’s life appears perfect. The wife of one of the country’s rising oligarchs, she lives quite the luxurious wife– but in reality, her marriage is suffocating. Her husband is paranoid, possessive, cruel, and increasingly unstable as rival business circle around his growing empire.
Though MC has worked for the oligarch for years, she and YC have barely interacted beyond passing glances at parties, brief acknowledgments in hallways, or the occasional minute exchange. That begins to change when the oligarch receives a threatening letter from a rival businessman threatening to expose a scandal capable of destroying him politically and financially: a pregnant prostitute claiming the oligarch husband fathered her child. Terrified of blackmail, humiliation, and vulnerability during an already volatile power struggle, it needs to be handled.
As the investigation consumes more of MC’s time, the distance she carefully maintained between herself and the oligarch’s personal life begins to erode. Eventually, the lines between protection, loyalty, survival, and desire blur completely, leading the two women toward an inevitable conclusion: if either of them wants freedom, the oligarch and his empire has to burn. AKA, let's kill the oligarch and take his shit.
Subgenre: Celtic, War, Matriarchal Fantasy, Politics, Cultish, Found Family
Setting: La Tene period (450 B.C.- 15 A.D.)
A celtic-inspired land, where coastal clans (Ireland, UKish) live beneath the rule of The Lady– a revered matriarch of House Morcant, the most powerful clan that has tied together surrounding clans under a single banner. Her stronghold oversees the surrounding territories while rival clans wage seasonal wars over land, cattle, and survival.
MC: One of The Lady’s inner circle (confidants). Has been in The Lady’s house for as long as she could remember. Agitated and not always seeing eye to eye with her matriarch.
YC: A newly offered daughter of one of the clans, entering the warrior-house for the first time and struggling to adapt to its harsh customs, discipline, politics, and war-focused culture.
Plot: Every fall, when conflicts die down, the clans under The Lady’s protection dedicate their daughters to her stronghold to be trained as warriors, guards, raiders, and future commanders. Amongst the newest recruits is YC, who is placed under the guidance of MC– a respected warrior with close ties to The Lady.
As the long winter passes, tensions rise throughout the clans in preparation for the annual spring campaigns against their western rivals. But this year, before the wars can begin, foreign ships arrive on their shores. An organized imperial force from across the sea begins advancing inland, bringing with it unfamiliar tactics, disciplined armies, and the threat of conquest and genocide.
Forced to face a common enemy, The Lady must attempt to unite the feuding clans before the invaders consume them all. While war spreads across the coastlands, MC and YC become
increasingly entangled in the political and military struggle surrounding the House, their growing bond tested by loyalty, ambition, and survival.
The story begins during the winter training season and gradually expands into larger conflicts, political alliances, and warfare as spring arrives.
Notes:
Setting: La Tene period (450 B.C.- 15 A.D.)
A celtic-inspired land, where coastal clans (Ireland, UKish) live beneath the rule of The Lady– a revered matriarch of House Morcant, the most powerful clan that has tied together surrounding clans under a single banner. Her stronghold oversees the surrounding territories while rival clans wage seasonal wars over land, cattle, and survival.
MC: One of The Lady’s inner circle (confidants). Has been in The Lady’s house for as long as she could remember. Agitated and not always seeing eye to eye with her matriarch.
YC: A newly offered daughter of one of the clans, entering the warrior-house for the first time and struggling to adapt to its harsh customs, discipline, politics, and war-focused culture.
Plot: Every fall, when conflicts die down, the clans under The Lady’s protection dedicate their daughters to her stronghold to be trained as warriors, guards, raiders, and future commanders. Amongst the newest recruits is YC, who is placed under the guidance of MC– a respected warrior with close ties to The Lady.
As the long winter passes, tensions rise throughout the clans in preparation for the annual spring campaigns against their western rivals. But this year, before the wars can begin, foreign ships arrive on their shores. An organized imperial force from across the sea begins advancing inland, bringing with it unfamiliar tactics, disciplined armies, and the threat of conquest and genocide.
Forced to face a common enemy, The Lady must attempt to unite the feuding clans before the invaders consume them all. While war spreads across the coastlands, MC and YC become
increasingly entangled in the political and military struggle surrounding the House, their growing bond tested by loyalty, ambition, and survival.
The story begins during the winter training season and gradually expands into larger conflicts, political alliances, and warfare as spring arrives.
Notes:
- Confidants are the same historical concept of ‘fosterage’ or basically court hostages-- allied/subordinate clans send (either forced to or submit to) their children to be raised in The Lady’s House to solidify political allegiances. This builds a “fictive kinship” where alliances are forced through groomed loyalty.
- While currently strong, the foundation of unification is immensely feeble. Passing everything directly to one heir in a modern concept (primogeniture). House Moricant is restricted by this possibility, its violent internal politics, and The Lady’s increasing hostility in relation to her deteriorating age.
Crown of Thorns
Subgenre: Medieval, War Drama, Aggressive Enemies to Lovers
Setting: A war-torn medieval kingdom fractured by civil war. The usual bullshit, nobles vying for power. Noble houses, mercenary companies, and rival claimants tear the kingdom apart as towns burn, loyalties shift overnight, and survival becomes more valuable than honor. The exact country inspiration can remain ambiguous or be tailored further depending on tone and worldbuilding preferences.
MC: A hardened mercenary commander leading a company of sellswords. Once born into minor nobility, MC fled her homeland years ago after committing patricide. Now, she only returns because the Crown has offered something impossible to ignore: a full pardon if her company turns the tides of the war. Devout Christian suffering from naughty gay thoughts.
YC: A soldier loyal to the Crown’s forces, forged by personal loss after her village was destroyed during a mercenary raid in her childhood.
Plot: Years ago, YC’s village was burned to the ground during one of the many brutal campaigns of the growing civil conflict. The massacre was carried out by mercenaries in the enemy’s employ — soldiers who slaughtered indiscriminately before vanishing back into the chaos of war. Whether YC lost family, friends, or nearly everyone she ever knew is open for discussion, but the scars left behind shaped her into the soldier she eventually became.
Now, after years spent fighting for the Crown, YC discovers the same mercenary company responsible for the destruction of her home has changed sides and been welcomed into the royal war effort. Worse still, their commander is MC — ruthless, arrogant, and a familiar face on that fateful night.
Though the Crown sees the alliance as necessary, tensions between regular soldiers and mercenaries run dangerously high. YC openly despises MC and everything she represents, while MC has little patience for sanctimonious soldiers who pretend war can be fought cleanly. Forced into close proximity by military necessity, the two are repeatedly thrown together during campaigns, negotiations, sieges, and battlefield operations despite barely being able to stand one another.
Notes:
Subgenre: Medieval, War Drama, Aggressive Enemies to Lovers
Setting: A war-torn medieval kingdom fractured by civil war. The usual bullshit, nobles vying for power. Noble houses, mercenary companies, and rival claimants tear the kingdom apart as towns burn, loyalties shift overnight, and survival becomes more valuable than honor. The exact country inspiration can remain ambiguous or be tailored further depending on tone and worldbuilding preferences.
MC: A hardened mercenary commander leading a company of sellswords. Once born into minor nobility, MC fled her homeland years ago after committing patricide. Now, she only returns because the Crown has offered something impossible to ignore: a full pardon if her company turns the tides of the war. Devout Christian suffering from naughty gay thoughts.
YC: A soldier loyal to the Crown’s forces, forged by personal loss after her village was destroyed during a mercenary raid in her childhood.
Plot: Years ago, YC’s village was burned to the ground during one of the many brutal campaigns of the growing civil conflict. The massacre was carried out by mercenaries in the enemy’s employ — soldiers who slaughtered indiscriminately before vanishing back into the chaos of war. Whether YC lost family, friends, or nearly everyone she ever knew is open for discussion, but the scars left behind shaped her into the soldier she eventually became.
Now, after years spent fighting for the Crown, YC discovers the same mercenary company responsible for the destruction of her home has changed sides and been welcomed into the royal war effort. Worse still, their commander is MC — ruthless, arrogant, and a familiar face on that fateful night.
Though the Crown sees the alliance as necessary, tensions between regular soldiers and mercenaries run dangerously high. YC openly despises MC and everything she represents, while MC has little patience for sanctimonious soldiers who pretend war can be fought cleanly. Forced into close proximity by military necessity, the two are repeatedly thrown together during campaigns, negotiations, sieges, and battlefield operations despite barely being able to stand one another.
Notes:
- The kingdom has been locked in civil war for nearly a decade after the king died without a clear heir, splitting the nobility into rival factions supporting different branches.
Subgenre: Crime thriller, Psychological Horror, Enemies to lovers, toxic codependency, Serial killer drama. Shameless fucking rip off of Doakes x Dexter chief im ngl
Setting: Chicago during the 1980s — a city of flickering neon, industrial decay, violent crime, corrupt policing, cigarette smoke, and sleepless nights. Between overcrowded precincts, grimy alleyways, shuttered factories, and bars that never close, the city has become fertile ground for predators who know exactly how to disappear into the noise.
MC: A reserved crime scene photographer and forensic technician known around the department for being awkward, meticulous, and difficult to get along with.
YC: A sharp, relentless detective determined to solve a string of suspicious deaths that the department has failed to connect for years.
Plot: For years, the deaths barely registered as anything unusual. A suicide in a motel bathroom. A fatal burglary gone wrong. A drunk man found hanging in his apartment. Different neighborhoods, different victims, different circumstances– individually, none of them stood out enough to draw serious attention from an already overworked police department drowning in violent crime.
However, patterns began to emerge: the victims are always men. Men accused of rape, assault, domestic violence, or pedophilia. Men who escaped prosecution, or barely received a slap on the wrist. Protected by technicalities, intimidation, or lack of evidence. And after every death, one thing consistently disappears like a trophy; the victim’s driver license.
YC becomes obsessed with the investigation almost immediately. Unlike most detectives treating the case as a curiosity, she notices details others overlook: staged crime scenes that feel too precise, missing evidence that should have been logged, inconsistencies in photographic records, and forensic reports that subtly redirect suspicion away from homicide.
Then comes the first real crack in the case. Shortly before his death, the latest victim filed a formal complaint against MC regarding “strange behavior” during a previous investigation. The complaint was buried quickly due to lack of evidence, but once YC discovers it, other details begin falling into place with disturbing clarity.
Setting: Chicago during the 1980s — a city of flickering neon, industrial decay, violent crime, corrupt policing, cigarette smoke, and sleepless nights. Between overcrowded precincts, grimy alleyways, shuttered factories, and bars that never close, the city has become fertile ground for predators who know exactly how to disappear into the noise.
MC: A reserved crime scene photographer and forensic technician known around the department for being awkward, meticulous, and difficult to get along with.
YC: A sharp, relentless detective determined to solve a string of suspicious deaths that the department has failed to connect for years.
Plot: For years, the deaths barely registered as anything unusual. A suicide in a motel bathroom. A fatal burglary gone wrong. A drunk man found hanging in his apartment. Different neighborhoods, different victims, different circumstances– individually, none of them stood out enough to draw serious attention from an already overworked police department drowning in violent crime.
However, patterns began to emerge: the victims are always men. Men accused of rape, assault, domestic violence, or pedophilia. Men who escaped prosecution, or barely received a slap on the wrist. Protected by technicalities, intimidation, or lack of evidence. And after every death, one thing consistently disappears like a trophy; the victim’s driver license.
YC becomes obsessed with the investigation almost immediately. Unlike most detectives treating the case as a curiosity, she notices details others overlook: staged crime scenes that feel too precise, missing evidence that should have been logged, inconsistencies in photographic records, and forensic reports that subtly redirect suspicion away from homicide.
Then comes the first real crack in the case. Shortly before his death, the latest victim filed a formal complaint against MC regarding “strange behavior” during a previous investigation. The complaint was buried quickly due to lack of evidence, but once YC discovers it, other details begin falling into place with disturbing clarity.
Low Fantasy
Hollow Earth
Subgenre: Grimdark, Witchcraft, Mentor x Apprentice, Cosmic Horror Undertones
Setting: A decaying realm. Once shaped by divine hands and governed by forces now half-forgotten, the land bears the scars of abandoned gods and rituals that no longer function as intended. Magic lingers like a rot in the soil, seeping into forests that grow in unnatural spirals, coastlines crusted with salt and bone, and battlefields where the dead never fully settled. War has become less an event and more a constant state of being; its remnants are everywhere, etched into the land itself. Above it all rules a king consumed by conquest, indifferent to the slow collapse of his own kingdom so long as his wars continue.
MC: A witch bound to a ritual older than the kingdom itself. Every five years, she arrives at a chosen village at the exact same moment, as if guided by an unseen force. She selects one person without explanation and takes them into the wilderness. To the villagers, she is a figure of dread and inevitability—a living omen.
YC: A young woman chosen without warning. She is not special in any obvious way—no signs, no prophecy, no preparation. Her life is ordinary until the moment it is taken from her. Beneath that ordinariness, however, lies a latent connection to the unstable magic permeating the world—something rare, volatile, and ultimately unsustainable.
Plot: Every five years, the cycle repeats without deviation. The witch arrives, selects, and leaves—another life taken into the woods. This time, the chosen is the young woman.
Deep within the forest, far from the reach of ordinary reality, the witch reveals the truth: magic has chosen YC. It is not a gift, nor a blessing—it is a binding force that will consume her if left unchecked. The witch’s role is to train her, to refine that power into something controlled, even useful. But the training is not meant to save her. From the beginning, the witch makes it clear: she will not survive the five years. Even if she does, she will be fed to the king as war fodder.
Notes:
Subgenre: Grimdark, Witchcraft, Mentor x Apprentice, Cosmic Horror Undertones
Setting: A decaying realm. Once shaped by divine hands and governed by forces now half-forgotten, the land bears the scars of abandoned gods and rituals that no longer function as intended. Magic lingers like a rot in the soil, seeping into forests that grow in unnatural spirals, coastlines crusted with salt and bone, and battlefields where the dead never fully settled. War has become less an event and more a constant state of being; its remnants are everywhere, etched into the land itself. Above it all rules a king consumed by conquest, indifferent to the slow collapse of his own kingdom so long as his wars continue.
MC: A witch bound to a ritual older than the kingdom itself. Every five years, she arrives at a chosen village at the exact same moment, as if guided by an unseen force. She selects one person without explanation and takes them into the wilderness. To the villagers, she is a figure of dread and inevitability—a living omen.
YC: A young woman chosen without warning. She is not special in any obvious way—no signs, no prophecy, no preparation. Her life is ordinary until the moment it is taken from her. Beneath that ordinariness, however, lies a latent connection to the unstable magic permeating the world—something rare, volatile, and ultimately unsustainable.
Plot: Every five years, the cycle repeats without deviation. The witch arrives, selects, and leaves—another life taken into the woods. This time, the chosen is the young woman.
Deep within the forest, far from the reach of ordinary reality, the witch reveals the truth: magic has chosen YC. It is not a gift, nor a blessing—it is a binding force that will consume her if left unchecked. The witch’s role is to train her, to refine that power into something controlled, even useful. But the training is not meant to save her. From the beginning, the witch makes it clear: she will not survive the five years. Even if she does, she will be fed to the king as war fodder.
Notes:
- Strong tonal inspiration from bleak, atmospheric worlds similar to dark fantasy settings where decay and ambiguity dominate. Life is harsh, survival is uncertain, and hope is fragile at best. [Dark souls, Elden Ring, Berserk]
- Mythological structure draws loosely from Norse cosmology—multiple realms layered upon one another, now destabilizing and bleeding together. Demons, monsters, and despair, oh my!
Other Concepts I would like to flesh out:
- Nuclear winter apocalypse. Survival and tension.
- Gladiatrix x The Senator's wife.
- Japanese woman falling in love with a spirit while trying to absolutely fuck over her enemies
- Pirates. Like an Anne Bonny and Mary Read.
- Honestly craving a lot of action and descriptive scenes! Think that would be fun
- Native Americans.
- Westerns. True Grit style maybe? Or a ransom story?
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