All Otys RT

Currently reading:
All Otys RT

Rules Check
  1. Confirmed
Pairings
  1. Any (Pairings)
Content Warning
  1. Gore
  2. Kink
  3. Graphic Violence
  4. Sexual Assault
  5. Incest
  6. Self Harm
  7. Substance Abuse
  8. Narrative Bigotry
  9. Sensitive Topics
Preferred Genres
  1. High Fantasy
  2. Low Fantasy
  3. Historical
  4. Medieval
  5. Political
  6. Crime
  7. Other
Local time
Today 12:31 PM
Messages
4,711
Age
38
Location
Lochem's Teapot
About my writing:
  • Story comes first. I am not here for smut. Intimacy or kink is fine only if it serves character, plot, and pacing. If your main interest is erotic content, we will not be compatible.
  • I'm interested in layered characters, morally grey or difficult. Anyone who doesn't fit in a box.
  • I need active conflict. Clashing goals, moral tension, power struggles, bad decisions with consequences. If the story isn’t pushing back against the characters, I’ll lose interest.
  • I enjoy unusual characters and “what if” scenarios that challenge expectations rather than follow templates.
  • My replies range from short to long depending on the scene. I prefer momentum over word count.
  • This is a collaborative story. I push the plot forward, and I expect you to do the same. If one of us is carrying all the momentum, it won’t last.
  • I like secondary characters. Bring them all in. I'll bring some in too.
  • Please be active. I don’t expect daily replies, but month-long gaps without communication will kill my momentum. Planned hiatuses are fine
  • I’m not a fluff writer. Romance, if present, will be slow-burn and grounded in character rather than sweetness or instant chemistry.
  • Love OOC chatter


YES PLEASE
Fantasy
Crime
Military
Violence
Tragedy and drama. Angst and anger.
Slow burn romance
Star Wars fandom
Enemies to lovers/forced proximity
Modern
Abusive (giving and receiving)
Medieval

MAYBE
//The story needs to be good, interesting and full of drama//
Slice of Life
Sci-fi
Anything else, unless on the Nope list or against site rules

NOPE
College
Happily married
Childhood sweethearts
Damsel in distress
Stupid characters
Instant Romance

Characters I enjoy playing:
  • Morally grey, compromised
  • Damaged characters who still function
  • Characters who are disliked, mistrusted, or on the social margins
  • Humour as a coping mechanism, not comic relief for its own sake

Characters I enjoy writing against:
  • Intelligent characters who can challenge mine
  • Confident characters
  • Characters who can hold their ground, push back, and create friction

Some Pairings I Enjoy:
  • Criminal / Law Enforcement – power imbalance, surveillance, and moral compromise
  • Prisoner / Warden (or captor) – psychological pressure, negotiated power, and consequences
  • Assassin / Handler – control through information, leverage, and mutual competence
  • Demon / Hunter – ideological opposition and long-term tension
  • Demon / Anything – demons as full characters, not just aesthetics
  • Shifter / Anything – identity, secrecy, and control over instinct

Plots:

Heir - YC inherits her uncle’s isolated mansion and expects dust, debts, and bad memories.
Instead, she inherits a demon bound to the property, along with rules no one bothered to explain.
Leaving isn’t simple. Selling isn’t harmless. And the demon knows exactly what her uncle did to keep him there and why.

Virus - A plague is killing the kingdom. A demon has been named its source.
YC, a paladin, is ordered to capture him alive and make him stop the disease by any means necessary.
Pain works. The problem is that every time she/he uses it, the plague spreads faster.

Beast - A lord’s weapon isn’t steel, but a living creature trained to kill and survive captivity.
After it’s fed someone YC loved, she/he comes to destroy the system that keeps it there.
The problem is that the creature no longer knows the difference between caretaker and food.

Fallen Enemy - An enemy general is captured with information the kingdom needs.
YC is assigned to keep him alive despite injuries that should have killed him.
The interrogators want answers. She/he decides how long he lives.

Bride on Sale - A woman is trafficked and sold as a bride to a man who believes ownership is permanent.
YC does not fight, flee, or beg. She listens. Everyone assumes she doesn’t speak English. They are wrong.
YC is intelligent, observant, and actively working toward her own outcome. Helpless or instantly submissive portrayals won’t work.

Assets - A “mad-dog” enforcer and a hacker are assigned to work together inside a criminal organisation that trusts neither of them.
The moment they start relying on each other, the organisation becomes the real threat.

Grounded - A dragon shifter known as a pirate king has been burning coastal settlements, striking without warning.
The kingdom captures him. His wing is permanently damaged, fingers lost. He can no longer fly on his own.
Victory is declared too early. Undead begin rising within the kingdom. Shifters are their natural enemy, and the dragon’s attacks were never random.




I enjoy dark power dynamics (including master/slave and non-consensual setups, mafia) only when they’re grounded in character psychology, strategy, and consequence.

PM me for details or if you have any ideas you want to try with me.
 
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